Thrash Metal

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Thrash metal is a subgenre of heavy metal that is characterized by its fast tempo and aggression. Thrash metal songs typically use fast, percussive and low-register guitar riffs, overlaid with shredding-style lead work. Thrash metal lyrics often deal with social issues using direct and denunciatory language, an approach which partially overlaps with the hardcore genre. The "Big Four" bands of thrash metal are Anthrax, Megadeth, Metallica, and Slayer, who simultaneously created and popularized the genre in the early 1980s.

The origins of thrash metal are generally traced to the late 1970s and early 1980s, when a number of bands began incorporating the sound of the New Wave of British Heavy Metal, creating a new genre and developing into a separate movement from punk rock and hardcore. This genre is more aggressive compared to its relative, speed metal, and can be seen in part to be a reaction to the lighter, more widely acceptable sounds and themes of glam metal.

Thrash metal generally features fast tempos, low-register, complex guitar riffs, high-register guitar solos, double bass drumming, and aggressive vocals. Most thrash guitar solos are played at high speed, as they are usually characterized by shredding, and use techniques such as sweep picking, legato phrasing, alternate picking, string skipping, and two-hand tapping. Thrash lead guitarists are often influenced by the New Wave of British Heavy Metal movement. Thrash guitar riffs often use chromatic scales and emphasize the tritone and diminished intervals, instead of using conventional single scale based riffing. For example, the main riff of Metallica's "Master of Puppets" is a chromatic descent, followed by a chromatic ascent based on the tritone. Rhythm guitar playing is characterized by extensive palm muting and down picking to give the riffs a chugging sound, along with extensive use of the pedal point technique (creating what can be considered a distinctive, 'thrashy' sound). Speed, pacing, and time-changes also define thrash metal. Thrash tends to have an accelerating feel which may be due in large part to its aggressive drumming style. For example, thrash drummers often use two bass drums, or a double-bass pedal, in order to create a relentless, driving beat. Cymbal stops/chokes are often used to transition from one riff to another or to precede an acceleration in tempo. To keep up with the other instruments, many thrash bassists use a pick. However, some prominent thrash metal bassists have used their fingers, such as Frank Bello, Greg Christian, Jack Gibson, Steve DiGiorgio, Robert Trujillo and the late Cliff Burton. Several bassists use a distorted bass tone, an approach popularized by Burton and Motörhead's Lemmy.

Lyrical themes in thrash metal include isolation, alienation, corruption, injustice, addiction, suicide, murder, warfare, and other maladies that afflict the individual and society. Humor and irony can occasionally be found, but they are limited, and are the exception rather than the rule.

Inclusive thrash metal music subgenres:
  • Speed metal originated in the late 1970s and early 1980s and was the direct musical progenitor of thrash metal. When speed metal first emerged as a genre, it increased the tempos that had been used by early heavy metal bands, while retaining their melodic approaches. Motörhead, Judas Priest and Accept are considered to have made important contributions to speed metal - the latter, primarily because of the song 'Fast as a Shark' - but are normally considered traditional metal acts. Bands like Megadeth, Overkill, and Annihilator are often mentioned as examples of speed metal acts. Some power metal acts, like Blind Guardian and Helloween have their roots in speed metal (Blind Guardian's early releases are considered speed metal releases).
  • Groove metal is also known as neo-thrash, post-thrash, or power groove, groove metal consists of slow or mid-tempo and down tuned thrash riffs, bluesy guitar solos, greatly emphasized drum work and harsh vocals. Pantera is considered the most important groove metal act and very much revolutionized the thrash metal genre, and were followed by other influential acts like Machine Head. So great was the impact on thrash metal by groove acts like Pantera and Machine Head that already established thrash metal acts changed their style in a more groovy direction. For example, speed metal veterans Overkill took a more groove metal oriented direction on "I Hear Black", as did Exodus on "Force of Habit" and Sacred Reich on "Independent". While these would quickly return to their roots, other bands, such as Anthrax, continued to explore groove metal to the extent that their music was not even considered as thrash metal anymore. In their exploration of groove metal on "Chaos A.D." and "Roots", Sepultura gave rise to the sub-subgenre of tribal metal, whose central feature is primitive and groovy riffage. Many alternative metal bands, especially those belonging to the nu metal wave, would draw on groove metal, and perhaps that is why many post-1993 releases by acts like Anthrax and Sepultura are considered alternative metal releases. Groove metal also found its way into death metal, giving birth to the subgenre of death 'n' roll, which is included under death metal on the MMA.
  • Crossover thrash, often abbreviated to crossover, is a form of thrash metal that contains more hardcore punk elements than standard thrash. It is sometimes referred to as punk metal, though this is generally incorrect due to the existence of other music genres that combine forms of punk rock and heavy metal, such as grunge, crust punk, and more recently metalcore and its subgenres. While thrash metal is heavily influenced by hardcore punk, the overall sound of crossover thrash is more punk-influenced yet more metal-sounding and aggressive than traditional hardcore punk and thrashcore. The term was coined by the band D.R.I. with their album Crossover, released in 1987. The term 'crossover' is based on the metaphor of crossing over from one genre into the other, thus capturing artists the operate within the transition zone between thrash metal and hardcore punk. With the metaphor comes the conception of directionality, such that the genre is applied to hardcore and crust punk artists who have crossed over into thrash metal territory, such as D.R.I., Discharge, The Exploited, The Accüsed, Agnostic Front and Suicidal Tendencies (who eventually ventured into alternative metal), and thrash metal artists who crossed over into hardcore punk territory, such as Nuclear Assault and S.O.D. A number of death metal bands (especially those of the first wave of Swedish death metal) draw on hardcore punk, mainly because their members listen to crossover thrash - these bands are included under the death metal subgenre here at the MMA.
  • Death-thrash combines elements from thrash metal and death metal. The most common type of death-thrash is based on thrash metal music (often played a bit faster than standard thrash metal) with growled vocals. Sepultura's "Schizophrenia", "Beneath the Remains", and "Rise" are considered examples of death-thrash. Given that death metal is derived from thrash metal, many early death metal bands played a style that was anchored thrash metal and could be considered death-thrash. Many of those artists are included under the death metal genre here on MMA.
  • Technical/progressive (or tech/prog) thrash metal is considered a legitimate genre by some (or even two legitimate genres), while others argue that it is a pseudo-genre. Bands included in this genre take emphasize technicality in their music, in the form of complex riffs and/or complex song structures, while others apply the ethos of progressive music more broadly without straying from their basic thrash metal sound. Examples of artists that are sometimes considered tech/prog thrash metal acts are Dark Angel, Death Angel (especially on "Act III"), Annihilator, Artillery (especially on "By Inheritance", "When Death Comes", and "My Blood"), and Invocator. Releases like "Master of Puppets" and "...And Justice For All" by Metallica are quite progressively oriented with complex song structures and numerous sections per song. Some bands like Voivod, Antithesis and Watchtower took the progressive approach so far that they are primarily considered progressive metal artists rather than thrash metal artists.
  • Blackened thrash metal is thrash metal with black metal elements. Its thrash metal basis is more primitive and akin to early German thrash metal. Examples of blackened thrash metal bands are Assaulter, Aura Noir, and The Metaphor. It should be mentioned that much early black metal, such as Venom and Hellhammer/Celtic Frost actually had its roots in thrash metal.


Source: http://en.wikipedia.org/wiki/Thrash_metal

Sub-genre collaborators:
  • UMUR
  • Time Signature
  • Diogenes

thrash metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm

MEGADETH Rust in Peace Album Cover Rust in Peace
MEGADETH
4.61 | 102 ratings
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METALLICA Master of Puppets Album Cover Master of Puppets
METALLICA
4.50 | 119 ratings
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SLAYER Reign in Blood Album Cover Reign in Blood
SLAYER
4.44 | 77 ratings
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FLOTSAM AND JETSAM Doomsday for the Deceiver Album Cover Doomsday for the Deceiver
FLOTSAM AND JETSAM
4.55 | 16 ratings
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CORONER No More Color Album Cover No More Color
CORONER
4.70 | 9 ratings
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EXODUS Fabulous Disaster Album Cover Fabulous Disaster
EXODUS
4.46 | 21 ratings
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ANNIHILATOR Never, Neverland Album Cover Never, Neverland
ANNIHILATOR
4.39 | 33 ratings
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KREATOR Enemy of God Album Cover Enemy of God
KREATOR
4.44 | 17 ratings
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SEPULTURA Arise Album Cover Arise
SEPULTURA
4.32 | 38 ratings
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MACHINE HEAD The Blackening Album Cover The Blackening
MACHINE HEAD
4.44 | 15 ratings
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ARTILLERY By Inheritance Album Cover By Inheritance
ARTILLERY
4.49 | 12 ratings
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SEPULTURA Beneath the Remains Album Cover Beneath the Remains
SEPULTURA
4.32 | 33 ratings
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thrash metal Music Reviews

GRIP INC. Incorporated

Album · 2004 · Thrash Metal
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RuneWalsh2112
I've had some great times with this release and by the sound of it so has the band! Right after his collaboration with Fantômas, Dave Lombardo returned to his long running side project. Together with Waldemar Sorychta and Gus Chambers he manages to deliver the best Grip.Inc release by far! It's quite unfortunate that this turned out to be the last album released by the band. The tragic and unexpected death of Gus Chambers was quite a blow for me considering that there was a point back in 2005 when I played this album pretty much non-stop for days on end. Gus will definitely be missed!

From the first tones of "Curse (Of the Cloth)" it was pretty clear that this was not the same Grip Inc. that released the first three albums. The tone is much more experimental, probably helped by the fact that Lombardo got a feel for Avant-garde Metal while working with Mike Patton. The pattern continues to evolve all throughout this release and, with the exception of the lackluster closing track "Man With No Insides", turns into one of the most exciting releases of 2004!

I wouldn't really recommend this album to fans of traditional Thrash Metal since there isn't really much of it going on here. There are a few burst of Slayer sound here and there but the overall approach is much more melodic and mellow. Definitely a must for fans of eclectic metal music!

***** star songs: Curse (Of The Cloth) (5:04) The Answer (3:49) Endowment Of Apathy (3:06) The Gift (4:12)

**** star songs: Prophecy (4:18) Enemy Mind (3:24) Skin Trade (4:25) (Built To) Resist (4:27) Privilege (4:48) Blood Of Saints (5:03)

*** star songs: Man With No Insides (5:34)

RAPID DOMINANCE Premonition

EP · 2012 · Thrash Metal
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Conor Fynes
'Premonition' - Rapid Dominance (6/10)

I checked out the new Danish band Rapid Dominance on the rule that anything with a gas mask on the cover is worth the gander. Little is known about this band, but this debut EP paints a good picture of what they are all about. Rapid Dominance is a band who treads the border between thrash and death metal, with a moderate dose of prog to sew things up. The result of which comes off as a techy incarnation of Sepultura. Complete with a cover of Death's 'Spirit Crusher,' Rapid Dominance deliver a satisfying EP with 'Premonition.'

From the first moment of listening to 'Premonition,' it is clear as to what the band's greatest strength is. Their musicianship is very impressive, especially taking into consideration that the band is, to my knowledge, very new on the scene. While many thrash bands emphasize speed in their music, Rapid Dominance introduce a liberal dose of technical guitar riffs into the music. The drums are possibly the most exciting aspect of the music, being given a good pummeling sound to them. The vocals are where the Sepultura influence come through most readily, although the shout-growl wouldn't sound out of place on a melodic death metal album either.

The greatest display of the band's musical talent is on their cover of Death's 'Spirit Crusher', a killer track from the classic 'Sound Of Perseverance' album. Here, the bass is finally given a fitting showcase, and the instrumentation is handled admirably. The fact that the cover is the greatest piece here brings up my one apprehension with the album, however. While the music here is excellently played and Rapid Dominance have instantly pulled themselves above legions of thrash bands in terms of their technical abilities, I did not find any of their original tracks to be anything particularly memorable. Although there was power to the performance, the songwriting lacked melody, variety, or even a riff or two to stay hooked in a listener's head. It's very possible to have technical thrash that stays true to memorable songwriting, and that's the one thing I find missing on Rapid Dominance's EP. All the same, there is a great deal of skill at work on 'Premonition,' and here's to hoping that it won't be the last we hear of these guys!

MORTAL SIN Pyschology of Death

Album · 2011 · Thrash Metal
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Stephen
Probably still vivid in thrash fans memory of how good is 'Face of Despair' when it first came out in 1989 and MORTAL SIN was then known for the first Australian band that plays the Bay Area style. Fast forward 18 years later, they return to the scene with 'An Absence of Faith' and then 4 years afterward, 'Psychology of Death' was born with a sound exactly identical to their 80s days.

With only two surviving original members on board, Mat Maurer on vocal and Andy Eftichiou on bass, MORTAL SIN delivered a high-octane adrenaline-pumping thrash assault and some of my faves here are 'Blood of My Enemies'; 'Paralyzed By Fear' and 'Doomed To Annihilation' with super-classic riffs that sounds very TESTAMENT to my ears; 'Deny', and 'Down In The Pit'.

The rest four songs are also good, but kinda felt too formulaic with the same repeating pattern. Some galloping drums intro, fierceful riffs sweeping in, put some screaming, keep up the fast-paced rhythm, and ends the song. Not a sin to do that actually, but the qualities of the songs are inferior to the better tunes. The production is okay, not very applauding, but acceptable.

'Psychology of Death' is a nice Sydney's oldschool thrash release, not going to impress hordes of new crowd, but a decent treat for the long-time fans. 75%

CHARRED WALLS OF THE DAMNED Cold Winds on Timeless Days

Album · 2011 · Thrash Metal
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arcane-beautiful
TIM RIPPER OWENS!

Yes this name does make me excited like a little boy at times…cause in my opinion Tim Ripper Owens is one of the best metal vocalists we may ever have (I think his curse is over, now that he found a band he can front that just isn’t trying to replace their lead singer…unless Chuck Schulinder comes back from the dead).

Now their last album kind of flew over my head. It didn’t leave much an impact because it wasn’t as interesting as I though it was…and I’m glad they made a second one…in fact, it seems that this album seems to be the album I wanted them to make…well kind of.

The album does have some really belters on it, especially the first few songs and some of the others. But some aren’t as strong, but to be honest, you expect some slight filler on albums. It isn’t that the songs are bad, they’re just not the best. The album is pretty strong, and does maintain a similar sound throughout, but at times the sound can be a bit too similar.

As usual, the vocals are amazing. Instrumentally the band really blend and play in a way that metal bands should really admire and be jealous of. And especially because they have Richard Christy on drums, one of the best metal drummers…ever! The blend of styles throughout is really cool as well, especially when more extreme genres like black and death metal are heard. And Blastbeats with clean vocals I think has always been a rare and cool thing to hear.

And hey…there is passion behind all of this.

1. Timeless Days – This is what I’ve been looking for in this band. A really amazing epic start to an album. This song has one killer chorus. Tim really sings his heart on this song (as usual) and musically it’s just as good. To be honest, it even has a Dream Theater vibe to it at times. The twists and turns are really killer as well. One of the best songs from last year in my opinion. 10/10

2. Ashes Falling Upon Us – Ok…this song is kick ass. But you have to admit…it is hilarious when he says ashes…cause it sounds like he’s saying asses. Brilliant chorus (despite the funny side to it). Just a decent killer metal song really. Lyrics are pretty cool too. 9/10

3. Zerospan – Blastbeats in a power metal song? Yes this is what I’m hearing. I was really surprised at what this song had in store of me. At times, it’s a quite dark song, with melodic black metal tinges to it, and then all of a sudden it turns into a really catchy power metal song. The chorus is actually quite uplifting, and the lyrics are cool too. 9/10

4. Cold Winds – It’s a short little song, but it does pack quite a punch. Tim really wails on this one. 8/10

5. Lead The Way – When I heard the intro, I thought it was Arch Enemy haha. Pretty killer riffs in this song. I love how the song builds up so epicly to a pretty killer chorus (this album does this a lot actually). 9/10

6. Forever Marching On – The groove influenced song haha. Despite the killer riffs. It does seem to be a bit filler. 7/10

7. Guiding Me – This intro sounds like an intro to a Death song (I wonder why…). Pretty epic chorus, and Tim really does wail like a beast on this song. Pretty cool chorus in the song. And some interesting lyrics. Although I hate the way this song ends…because it does sound like it could have had a pretty cool ending, instead of a very awkward fade out. 8/10

8. The Beast Outside My Window – A ballad? What is this? The 80’s. And yes…the acoustic intro does end and turn into a pretty epic power metal intro…WITH BLASTBEATS! This is a pretty interesting song, and I love the Avenged Sevenfold backing vocals in the chorus. The lead up and the chorus itself is pretty cool. 8/10

9. On Unclean Ground – Pretty killer bass work on this song. Would be a weaker song if the instrumental bits weren’t as interesting. 7/10

10. Bloodworm – Such a killer name for a song. This song has a doomy almost Candlemass vibe to it. Love the melodic death metal riffs that decorate the song. Has a great melodic feel to it, and the slower tempo does add to the atmosphere. 8/10

11. Admire The Heroes – To be honest, when you hear a song title like this you already thing “oh, I bet its one of those stupid ass licking then American troops song”. But it wasn’t…thank God. In fact, a lot of sense was put into this song, as an attack on war itself. I’m really glad these guys were able to craft a song like this. Pretty killer song too by the way. 9/10

12. Avoid The Light – Love the dark twists and turns in this song, and the black metal influence is pretty cool too. The lyrics are really cool too. Pretty cool chorus as well. 8/10

CONCLUSION: Overall it’s a pretty decent killer metal album. There is some real anthems on this album, but some of the songs can sound too similar at times sadly. But, the sound these guys make is amazing. I think these guys are slowly getting better, and I think that they still have their best album to make. But this will do for now.

7.2/10

TESTAMENT The New Order

Album · 1988 · Thrash Metal
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Stephen
Second album that broke TESTAMENT to the mainstream success, thanks to several singles they spawned including the AEROSMITH cover, 'Nobody's Fault'. Even though I think the debut is untouchable, 'The New Order' do have lots of tracks that I love and never got bored until today. 'Eerie Inhabitans', for example, is a stunning opener; 'The New Order' has brutally fast chorus and spectacular solo; 'Disciples of The Watch' always gets my head banging constantly; 'Nobody's Fault' is surprisingly an excellent rendition of classic song; and 'A Day of Reckoning' is also marvelous.

Half of this album is good but not more, and probably 'Hypnosis' is the useless filler. 'Musical Death' is also quite similar but slightly better, the solo is a nice effort. Ironically, the two singles that introduced TESTAMENT to more audience, aren’t the best part of this album.

Production is as usual, quite thin but as you expect from old thrash band. I guess 'The New Order' remains one of the underrated albums of the past, should have received much better appreciation, and deserved at least 80%.

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METALLICA The Big 4: Live from Sofia, Bulgaria

Movie · 2010 · Thrash Metal
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progshine
I'm reviewing this as a Metallica release cause, well, it seems like one Metallica release with 3 good guests (not trying to bash the other bands, not at all, you'll see on the review).

Anthrax: Great show full of energy, you can see the joy on the band members faces, also, Joey Belladonna vocals are pretty in shape, specially for a 50 years old man. The fact all of them are using the same t-shirt is very nice, shows the unity of the band, no egos involved, one for all, all for one and a good metal show. Rate: 4

Megadeth: Dave gathered great musicians, they're not really new (but sounds as a one man band with guests). Guitars and bass (David Ellefson is one of the great metal bassists ever) are great. But what the f**k is his voice here? What Dave's trying to do with all that falsettos? Is a pain to watch him singing. And he seems worried and nervous the whole show. I never really watched Megadeth live, so I can't say if he's always been like that. Rate: 3

Slayer: The band hit the stage and their hardcore/thrash/metal fast sound comes right to your face. Kerry King accessories (braces and chains) are a little too much on my opinion, but so are the Jeff Hanneman boots xD But their guitars models are very cool. I do like Slayer and they were the one I wanted to see most, but on stage they look like a prog/hardcore/thrash act, cause it looks like the same song over and over. But still, they have great energy, still 'angry' after all this time and Tom Araya's voice still great. Rate: 4

Before Metallica hit the stage a couple of interviews about the Dio death, all of those guys are fans, for sure.

Metallica: Of course they are the 'big brother' here, playing doubled amount of time than the other bands. And you can say whatever you want to say, but few bands can put up a show like these guys do. They made every penny worth. And James Hetfield is singing better than ever, and in a crooner kinda of microphone xD Trujillo is always a fun scene, walking like a 10 pound Gorilla on stage. And I'm sure I'll never like Lars drumming. And every days that passes one idea comes to my mind stronger and stronger, I really would like to see a James solo album, he would do some serious good thing alone, for sure. But, they'll not have a bigger rate for me, cause of one thing, the show IT IS great, but it's the same show over and over the past 2 tours, same songs, same sequence and even James using the same words with the audience. Rate: 4

All in all, it's worth to watch, with a beer on your side will be even better, even if you do not drink (like myself) xD

KREATOR Live Kreation-Revisioned Glory

Movie · 2003 · Thrash Metal
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Kingcrimsonprog
This DVD from the Violent Revolution era captures Kreator at their best as the energetic virtuosos deliver a career spanning set of classic metal, mixing old and new together in a monstrous performance.

The first thing you'll notice is the unusual green filter over the video, and the fact that the show is split between two different venues, with half the songs live from a concert in Spain and half live from a music festival, the change over between shows being filled with short documentary sections with cameos from other Metal bands (usually drunk) and footage of the band getting ready.

If you can get past these facts, you'll find an amazing DVD to enjoy but if you can't stand that sort of thing you'd be better off buying Kreator's 'Live At The Pulse of Kapitulation,' DVD which is one entire concert, without interruptions or strange green filters.

Anyway the performance the band put on is incredible, delivering the songs with feeling and making the music heavy yet very clear. They make the songs from the nineties sound heavier and thrashier and the 80's classics Clearer and more modern sounding creating a even playing field for the material.

The production is pretty decent too, a nice deep kick drum sound, audible bass guitar and sharp chunky guitar sound. Mille is awesome as ever, barking and growling away like its still 1988. The DVD also contains a history section that mixes a very short documentary with all the bands music videos; nothing life changing, but definitely worth the one viewing.

There are also two bonus songs, the classic concert closing duo of 'Flag of Hate,' and 'Tormentor,' Live from With Full Force Festival although the camera work is much better and the visuals are brighter the sound is muddy and unclear so you will probably not bother with them all that often.

The main feature is as good as any metal DVD from the first half of the decade, and pretty much a no-brainer for any Kreator fan; Highlights include the aggressive and technical 'Reconquering The Throne,' and the infectiously catchy 'Violent Revolution,' as well as a storming rendition of the furious 'People of The Lie.' If you're into concert DVDs and into all eras of Kreator this is very much the DVD for you.

KREATOR At the Pulse of Kapitulation: Live in East Berlin, 1990 (DVD/CD)

Movie · 2008 · Thrash Metal
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Kingcrimsonprog
Kreator are a very important band in the Thrash Metal story, one of Germany's biggest ever bands and a bone fide classic act for metal overall.

This DVD is a fantastic reissue of the historic Live In East Berlin Concert, (which comes in Cd and DVD form here)with a documentary and an amusing horror video called Hallucinative Comas.

The Tracklisting is amazing, containing all of their classics such as 'Toxic Trace,' 'Flag of Hate,' 'Tormentor,' and 'Pleasure to Kill.'

The Band's performance is energetic and exciting; singer Mille interacts with the crowd on a regular basis. Ventor gets a Drum solo and also performs lead vocals on an excellent rendition of 'Riot of Violence.'

Kreator blast through songs like 'Some Pain Will Last,' 'Awakening of the Gods,' and 'Under The Guillotine,' furiously, performing the technically challenging and incredibly fast material with ease and flair.

Most important is the sound; for such an old concert the sound is amazing, much better than other DVDs of similar era concerts. The material is brilliantly mixed and available in 5.1 or stereo; with clear drums, chunky 'full,' guitar sounds and totally audible vocals.

The documentary is pretty interesting, describing the difficulty East German fans had even getting access to metal music, magazines or t-shirts; how the concert came to be, and the impact it had.

For a Kreator fan this cannot be recommended highly enough, the wonderful sound and excellent tracklisting make this one of the best Thrash Metal DVDs money can buy. If you want to hear music from the 'Terrible Certainty,' or 'Extreme Aggression,' albums played live then this is the DVD for you.

LAMB OF GOD Killadelphia

Movie · 2005 · Thrash Metal
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Kingcrimsonprog
Killadelphia is a fantastic DVD that captures Lamb Of God in 2005 just as they were really breaking into the big time, with a mixture of documentary segments and a sixteen track concert that has a total playtime of almost two hours.

The concert is of very high quality, the band deliver music from New American Gospel in a clear and professional way and give tracks from Ashes of the Wake an energy and rawness that improves them similarly. The band are brilliant performers and know how to command an audiences attention, when to play up to the crowd and also crucially when not to, in order to preserve the spirit of the written songs.

Randy is the type of singer who you may expect might not be able to pull it off live, given the intensity, speed and complexity of what he delivers on record; but in reality his live performances are astounding, if anything better than on record.

Performance is only one quality on which a live concert stands or falls, and thankfully a very strong performance is not the only thing which Killadelphia has to offer, the sound is terrific, with a very clear drum and vocal sound, heavy guitar tones and a good clear mix which gives each instrument a fair chance to shine without sacrificing much in the way of heaviness.

Furthermore, the camera work, direction and editing, in addition to the lighting and stage show are excellent bringing a real excitement to the video without having to resort to cheesy wipes or frequent quick cuts like other concert DVDs sometimes do, but which only ever give the illusion of energy.

On top of all this, the track list is excellent with tracks from each of the band's early albums together and performed to the highest quality. Then as if the concert wasn't interesting enough (and there is an option to play only the concert, plus a CD copy of the concert for added value) you get a really candid and informative set of documentary segments which are of the same tone as those on the band's Walk With Me in Hell DVD, and include the infamous fist fight which fans always seem to love.

Overall, Killadelphia is a brilliant DVD, honestly one of the best metal DVDs on the market and an absolute must buy for Lamb Of God fans.

MACHINE HEAD Machine Head - Elegies

Movie · 2005 · Thrash Metal
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Kingcrimsonprog
Elegies was the first live DVD from Machine Head; recorded, just like their Hellalive album at the Brixton Academy in London, three years later in 2004 and released in 2005.

Like with Hellalive, the band play a mixture of material from all of their studio albums up until that point to an excited british crowd, but this time the band were riding high on the critical success of Through The Ashes Of Empires. Their performance is very strong indeed, with new guitarist Phil Demmel giving the band an additional edge. The dual guitar sections from Through The Ashes Of Empires sound amazing on this DVD, they really take on a life of their own in the live environment.

The tracklisting is excellent, presenting the very best of Machine Head, new songs like ‘Imperium,’ and ‘Seasons Wither,’ sound fantastic alongside the all time classics like ‘Ten Ton Hammer,’ and ‘Davidian.’

The band aren’t afraid to drop some of the more emotional, sophisticated music like ‘Descend The Shades Of Night,’ and the title track from ‘The Burning Red,’ confidently bringing the evening to a chilling standstill, before returning to the blistering metal that made them famous.

Visually and in terms of audio, the DVD is pretty great. I personally would’ve preferred if the film grain filters hadn’t been used so often and that the concert was shown in a straight beginning to end session, without the non-live footage in between songs, but ignoring that, the look and sound is great and when you add that to the incendiary performance you have a really great concert recording overall.

The extras feature a short but interesting history on the making of Through The Ashes Of Empires in addition to some music videos.

To summarize, the Elegies DVD is a must have release that no Machine Head fan should be without.

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