BLACK SABBATH — Technical Ecstasy (review)

BLACK SABBATH — Technical Ecstasy album cover Album · 1976 · Heavy Metal Buy this album from MMA partners
2.5/5 ·
SouthSideoftheSky
It's alright!

This is undoubtedly Black Sabbath's least good effort of the 70's and it is certainly a disappointment after the exceptionally strong series of albums that came before it. However, there is some good material here too. We must recognize from the start that the musical climate was changing and Black Sabbath was not immune to these changes. Technical Ecstasy is certainly not that heavy of an album and the band had really come a long way since their dark and doomy debut released six years earlier. This is more Rock 'N' Roll than Metal. But Black Sabbath were still very much a band in constant progression and still very much interested in trying out new musical ideas.

Technical Ecstasy is more diverse than previous albums and also a little bit uneven. We find here some good songs as well as some not so good songs. It starts out with Backstreet Kid, a short song with a good riff (but with horrible lyrics!). Also, Rock 'N' Roll Doctor features very bad lyrics and this song is among Black Sabbath's worst ever! Bill Ward sings on one of the albums tracks; It's Alright. This song is a bit out of place on the album and it is at best what its title implies - alright! But no more than that!

There are some nice tunes here too, though, and fans of the band will appreciate at least some of the material here. You Won't Change Me, Gypsy and Dirty Woman are all good songs. Not exceptional, but still good and you can sense that these songs are better produced than some early Black Sabbath albums. There are more keyboards on this album than on the earlier ones and this brings some depth and excitement to the mix. She's Gone is a beautiful, quite symphonic, ballad featuring strings and a great vocal performance from Ozzy.

Overall, this album is very far behind the band's masterpieces, but as a major fan of the band I can still appreciate this album.

Good, but non-essential
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