LED ZEPPELIN — Physical Graffiti (review)

LED ZEPPELIN — Physical Graffiti album cover Album · 1975 · Hard Rock Buy this album from MMA partners
5/5 ·
Nightfly
Regarded by many Zeppelin fans as the bands finest moment and I'm not going to argue with that. What's surprising about that fact though is that Physical Graffiti, a double album, was not made up of solely new material, but included tracks left over from previous sessions.

The album opens in fine style with two typical Zeppelin Rockers, Custard Pie and The Rover. The latter was recorded a few years earlier in 1970 but was titivated up with a few overdubs by Page to get it up to scratch.

My own personnel favourite from the original first disc is In My Time of Dying which is actually based on a traditional song and had previously been recorded by Bob Dylan. Naturally the Zeppelin version has their trademark stamp on it and after starting as a slow bluesy number steps up a few notches for a bombastic middle instrumental section featuring some great slide playing from Page and Bonhams Bass Drum playing is on top form.

Next up is Houses of the Holy, another strong Rocker left over from the album of the same name which is followed by the funky Trampled Underfoot with good keyboard contributions from Jones and Plant, who is on great form throughout the album sings his heart.

Kashmir which closes the first disc has become a Zeppelin classic with its Eastern tinged riff and simple but effective Drumming from Bonham.

The second disc whilst not quite as consistent as the first nevertheless contains some fine moments. Highlights being the haunting In the Light, Ten Years Gone and some more great Heavy Rock in Night Flight, The Wanton Song and Sick Again. There's a nice acoustic interlude called Bron-Y-Aur and a bluesy stomp called Black Country Woman which is a bit of a throwaway track but amongst such good company I wouldn't complain.

Down by the Seaside, another fourth album leftover which didn't fit in with the mood of that release is a worthy addition here. Boogie with Stu, featuring Ian Stewart of Stones fame sounds like a barroom tune and although fun, is the weakest song on a superb release.

So despite a couple of less than perfect moments a 5 star album and one of the greatest albums ever.
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