DEICIDE — Legion (review)

DEICIDE — Legion album cover Album · 1992 · Death Metal Buy this album from MMA partners
4.5/5 ·
siLLy puPPy
I’ve always considered DEICIDE to be a hybrid of the Morbid Angel and Slayer sounds. On the Morbid Angel side we get the death growls, the incessant brutal riffing, drum abuse and those wild loose electric wire guitar solos that whiz out of nowhere, freak out for a short burst and then disappear while on the Slayer side we get the hellish imagery, Satanic worshipping and thrashy guitar and bass delivery. On their second release LEGION, the band tackled a little technical influence from fellow Floridians Death which makes LEGION a somewhat more complex listen than the debut.

While a new technical edge is clearly heard on this brutal rampaging set of highly caffeinated eight tracks, this is clearly rooted in old school death metal much like the debut only adding some extra saucy guitar, bass and spazzed out drum rolls. The songs structures are very typical of the day all doctored up with a possible Suffocation influenced increase in brutality that is guaranteed to leave the listener’s head properly banged and perhaps aching. The addition of creepy sound effects and even backward messages adds to the overall extreme and darkened feel to the album which lasts a mere 29 minutes and 1 second and then without missing a beat ends on the same spastic note as it continues throughout the short but sweet wild ride.

I’ve never really been a huge DEICIDE fan because i wanted them to continue what they started on LEGION and continue down a technical path but this was a one stop and retreat type of album and they would continue on with their more run-of-the-mill death metal sound. For me this is the best of the lot and a classic in the death metal world. So influential is this one that the track “Trifixion” alone has spawned not one but five bands that use it as their name. The album cover was quite different for the day as well conjuring up strange occult symbolism rather than the typical blood and gore of the era. While the relentless drive of the album sounds pretty standard upon first listen, i find the subtleties of the instruments whizzing around at a million miles per second are actually quite interesting and make this a standout in their disco. Sadly tech death would not be their thing and they would settle into their comfort zone.
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UMUR wrote:
more than 2 years ago
It´s a great album for sure, although I could never get into this one as much as their iconic debut album.

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