Review

ORTHRELM II / II

Album · 2001 · Avant-garde Metal
Cover art Buy this album from MMA partners
3/5 ·
siLLy puPPy
ORTHRELM made quite the debut in 2001 by not only releasing their first EP but also three albums as well. While the lengths may make one consider EP status, considering how technically crazed the music is makes it quite acceptable that they didn’t churn out over lengthy album. After two albums titled ORTHRELM I and ORTHRELM II comes the third installment with a brown-hued cover un-intuitively titled ORTHRELM II / II which like the second edition consists of 48 short tracks with most not even reaching the minute mark with only one clocking in at over two. The duo of Mick Barr on guitar and Josh Blair on drums continues to crank out some of the most aggressive combo of guitar shredding meets proggy math rock.

ORTHRELM II / II continues to follow the trajectory of the previous releases and like the No. II continues the punk-infused energy concentrated into short tracks but on II / II the duo branch out in the dynamics significantly more but not playing at the speed of light all the time. Untitled track #12, for example, is actually mostly slow and focuses on nerdy math rock time signatures for the first minute before exploding in pyroclastic math rock flows all over the place. While Barr and Blair began this project merely imitating each other on their respective instruments, at this point they’ve taken their roles by the horns and actually create separate but equal parts although they tend to remain in sync in regards to tempo. Track #21 kinda sounds like an atonal attempt at the classical artist Rimsky Korsakov’s “Flight Of The Bumblebee”

On this one they begin sounding more like the Japanese band Ruins as Barr tones down his incessant shredding and actually engages in more punk chord energy and more bass oriented riffing. In some ways they remind me of a stripped down Psyopus or Behold…. The Arctopus as the math metal elements are more prevalent. Personally i think this is the best they put out in the year as it contains all the shredding you could ask for and more, all the snazzy jazzy drumming possible and also more variety in not just compositional structure but how different segments flow within a track. While still very much only the interest of extreme music lover craving punky metal elements married with nerdy math rock, this one offers a bit more outside of the chaotic speedfest that ORTHRELM has made their own by developing their own musical paradigm. While this is much better in variety it still sounds limited due to only the guitar and drums as the sole instruments.
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