APPEARANCE OF NOTHING — All Gods Are Gone (review)

APPEARANCE OF NOTHING — All Gods Are Gone album cover Album · 2011 · Progressive Metal Buy this album from MMA partners
4.5/5 ·
J-Man
Albums like All Gods Are Gone remind me why I love progressive metal so much. Although traditional prog metal has become a dumping ground for uninspired Dream Theater clones lately, an ambitious act like Appearance of Nothing injects some much-needed life into the genre. Featuring guest performances from legends such as Dan Swanö (Edge of Sanity, Nightingale) and Devon Graves (Psychotic Waltz, Deadsoul Tribe), as well as some of the best prog metal music created in the last 10 years, should be enough to convince anyone to give this a shot. Appearance of Nothing has an impressive amount of power and energy, not to mention the unforgettable compositions on All Gods Are Gone. Although 2011 has barely begun, it looks like we already have an early contender for "top ten" material. If you've been writing off progressive metal as a derivative genre that has nothing new to offer, pick this up - you won't regret it.

The music here is undoubtedly progressive metal, but there's plenty of eclecticism and diversity on All Gods Are Gone. You'll hear thrash tendencies (especially on "...I Said Silence"), plenty of power metal (not the cheesy type), some death growls from Dan Swanö, and of course technical prog rock/metal in the vein of Dream Theater. This is a pretty fast-paced album - not like an extreme metal album, but there isn't much breathing room here. There's the occasional softer moment, but most of All Gods Are Gone is a heavy symphonic journey. Cheesy and pompous ballads are nowhere to be found; instead Appearance of Nothing manages to seamlessly blend heaviness and beauty while maintaining a sense of coherence. Songs like "The Mirror's Eyes", "2nd God", and "...I Said Silence" switch moods multiple times without any awkward transitions. As previously mentioned, Dan Swanö lends his death growls to 3 songs here, and Devon Graves contributes on one song. Despite the prominence of the guest singers, the vocals from the core band shouldn't be underestimated at all. The two vocalists in Appearance of Nothing (Patrick Gerber and Omar Cuna) add up to a terrific department with wondrous harmonies and soaring melodies. Instrumentally speaking, AoN is equally as impressive. There are plenty of complicated breaks and mind boggling solos without ever crossing the line between impressive playing and self-indulgence.

The production from Markus Teske and Marc Petralito is absolutely fantastic. The sound is perfect for Appearance of Nothing's music - no complaints here.

All Gods Are Gone really was a pleasant surprise for me. Prior to this album I had never heard of Appearance of Nothing, so calling this a great introduction would be a huge understatement. Modern prog metal doesn't get much better than this - if you want to hear something that's original and captivating from beginning to end, definitely check out this excellent Swiss group. 4.5 stars are deserved here - this is an essential purchase for fans of the genre. It'd be a mistake to let this gem slip through your fingers.
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