NACHTVORST
Black Metal / Doom Metal • Netherlands

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Nachtvorst was created in the winter of 2007 by Leopold. After the demo was written, Erghal was attracted to perform vocal duties. Nachtvort creates atmospheric, emotional music trying to recreate the extreme vastness of Kantian Sublimity. By blending elements of black, death and doom metal and incorporating post-rock and sludge metal the music becomes a dark fusion of thick sound and psychotic vocals. Late 2009 saw the release of the first full lenth album Stills. For sale now through Black Devastation Records.

(Official biography from the band's website.)
Thanks to Vehemency for the addition and Time Signature for the updates

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NACHTVORST Discography

NACHTVORST albums

.. Album Cover 3.50 | 1 ratings
Stills
Black Metal 2009
.. Album Cover 4.00 | 1 ratings
Silence
Doom Metal 2012

NACHTVORST EPs & splits

.. Album Cover 0.00 | 0 ratings
Meditations I
Black Metal 2011

NACHTVORST live albums

NACHTVORST demos, promos, fans club and other releases (no bootlegs)

.. Album Cover 0.00 | 0 ratings
Kerkenbrand
Black Metal 2007
.. Album Cover 0.00 | 0 ratings
Nacht der Stervende Zielen
Black Metal 2008

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NACHTVORST Music Reviews

NACHTVORST Silence

Album · 2012 · Doom Metal
Cover art Buy this album from MMA partners
Time Signature
After...

Genre: sludge doom

Dutch Nachtvorst may well originate from the black metal scene, but on Silence black metal only features as an ingredient in the overall sound, which is much more directed towards the bleakness and oppression of doom and sludge metal than towards the chaos and evil of black metal.

The first track 'The Serpent's Tongue' opens with a crushingly heavy doom-laden riff, and for the next six and a half minutes, the listener is treated to heavy, chucking, doomy riffs accompanied by growled and screechy vocals. This is followed by a nice atmospheric section with piano effects and clean guitars, before the chucking doom riffs kick in again. The song is concluded with another atmospheric section which transitions into the dark and melancholic quasi-symphonic instrumental 'After...'. 'Nightwinds' adds a sludgy touch with its aggressive opening riff and slightly hardcore-ish edge, but after three minutes the tempo is lowered and things slowly build up towards a heavy black-doom section. The atmospheric and 'Gentle Notice of a Final Breath' has an almost post-metal feel to it. '...Before' is another atmospheric instrumental piece, and 'A Way of Silence' concludes the album majestically in a shroud of introvert darkness and shoegazing doom.

Apart from screechy vocals and dissonant harmonies every now and then, the most prevalent black metal feature on Silence is Nacthvorst's use of repetition, and, while repetition can end up generating boredom-inspiring monotony, Nachtvorst have mastered the power of repetition. They use it very efficiently, generating a sense of bleakness and oppression, but at no point do the tunes on this album get boring (which is quite a feat since the songs are actually quite long).

The production is actually quite good, and there really is a lot of bottom on the bass and guitars, giving the album an extra punch towards heaviness, while the drums have a well-defined sound allowing you to hear every single beat.

Fans of doom metal and depressive black metal are likely to find this work of darkness and oppression to be a very enjoyable album, and perhaps fans of atmospheric black metal, sludge metal and post-metal will take a liking to Silence as well because of the many elements deriving from those genres.

(review originally posted on seaoftranquility.org)

NACHTVORST Stills

Album · 2009 · Black Metal
Cover art Buy this album from MMA partners
Vehemency
From the outside, Nachtvorst first major release Stills didn’t trigger any big interest in me to check it out, but luckily I did because Stills offers some very solid black / doom metal that, for some unknown reason, has remained rather obscure since its release a few years back.

Maybe the obscurity has something to do with the fact that Stills isn’t totally for underground cults and neither for those with a mainstream taste. The album balances somewhere between, providing five generally long songs of gloomy melancholy that present a lot of interesting melodies throughout the 48 minutes. The album is produced rather professionally, and the massive sound is put to its best use on the short instrumental ”Murmurs” that is so damn sludgy and heavy that it’s surely to have an impact on any listener, almost at least.

Excluding that track, Nachtvorst focuses on more general mid-tempo wanderings that occasionally turn into faster black metal sections. Recurring melodies appear smoothly within tracks, never sounding annoyingly repetitive. Some breakdown moments of more calmful sounds are presented in the tracks too to make sure the album never sounds boring. During the doomiest moments, vocalist Erghal is very reminiscent of Astaroth from Raventale and very similar to Mikko Kotamaki (Swallow the Sun, Alghazanth) during the higher-pitched screams.

Nachtvorst’s debut offering took me by surprise: it’s not often you come across this grabbing and well performed black / doom metal fusion. Even if not doing anything outstandingly innovative here, Stills deserves more recognition and will get more plays at least in my player from now on.

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