Industrial Metal

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Industrial metal is a heavy metal musical genre that draws from industrial music and many different types of heavy metal, using repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Founding industrial metal groups include Ministry, Godflesh and Fear Factory.

Industrial metal's popularity led to some criticism from other artists associated with the industrial scene. Subsequently, it is most well-known in various European permutations. Industrial metal groups have produced many acclaimed music videos.

Inclusive industrial metal music subgenres:
  • Electronic metal
  • Neue Deutsche Härte


Source: http://en.wikipedia.org/wiki/Industrial_metal

Sub-genre collaborators:
  • Stooge

industrial metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm

MARILYN MANSON Mechanical Animals Album Cover Mechanical Animals
MARILYN MANSON
4.42 | 26 ratings
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RAMMSTEIN Reise, Reise Album Cover Reise, Reise
RAMMSTEIN
4.30 | 28 ratings
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MARILYN MANSON Holy Wood (In the Shadow of the Valley of Death) Album Cover Holy Wood (In the Shadow of the Valley of Death)
MARILYN MANSON
4.35 | 11 ratings
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RAMMSTEIN Sehnsucht Album Cover Sehnsucht
RAMMSTEIN
4.20 | 27 ratings
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WHITE ZOMBIE La Sexorcisto: Devil Music, Volume 1 Album Cover La Sexorcisto: Devil Music, Volume 1
WHITE ZOMBIE
4.29 | 12 ratings
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STRAPPING YOUNG LAD Alien Album Cover Alien
STRAPPING YOUNG LAD
4.15 | 20 ratings
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NINE INCH NAILS Pretty Hate Machine Album Cover Pretty Hate Machine
NINE INCH NAILS
4.12 | 20 ratings
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MINISTRY Psalm 69 Album Cover Psalm 69
MINISTRY
4.14 | 16 ratings
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RAMMSTEIN Mutter Album Cover Mutter
RAMMSTEIN
4.03 | 33 ratings
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MARILYN MANSON Antichrist Superstar Album Cover Antichrist Superstar
MARILYN MANSON
4.05 | 24 ratings
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NINE INCH NAILS Ghosts I–IV Album Cover Ghosts I–IV
NINE INCH NAILS
4.08 | 13 ratings
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STATIC-X Wisconsin Death Trip Album Cover Wisconsin Death Trip
STATIC-X
4.39 | 4 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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industrial metal Music Reviews

NINE INCH NAILS The Downward Spiral

Album · 1994 · Industrial Metal
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Doomster
"Annie, hold a little tighter, I might just slip away..."

This was actually an album that I just kept as a rating for awhile and not a review. I felt that, if I reviewed it, my words would not do justice to the contents of the album because it is just too far above and beyond my words and important to me that it would be difficult describe it like it needs to be described. But, one day, I just decided - "fuck it, I'm reviewing The Downward Spiral." And so I'm reviewing it, but it might not be easy.

Nine Inch Nails' "The Downward Spiral" is without a shadow of a doubt one of my favorite albums of all time, not only because of the musical and lyrical power of it, but because of how important it is to me personally. Being on the brink of suicide for awhile now, "The Downward Spiral" (perhaps ironically?), along with "The Eye of Every Storm" by Neurosis and "In Utero" by Nirvana, could be considered one of the reasons I'm still here. Perhaps this might be ironic given the concept of misery that encompasses this album, but this is exactly why. To know that true suffering can be shared and or pitied, even if its only a sound on your speakers, gives a feel of cleansing. When I listen to this album, I feel absolutely miserable, but come out fresh and hopeful because I know I'm not the only one who's suffering through these problems.

Musically, "The Downward Spiral" is an album which Trent Reznor obviously set out to say "Well, its my next album, so let's make it as good as I can." And it shows - The Downward Spiral is without a doubt the peak of Reznor's musical career, heavy, harsh, misanthropic and even...sad. While NIN's other albums are also great, none of them can compare to this one, which remains fresh literally from the first second of the CD to the last. There is not a single moment of bad music here, in my eyes.

The basic album follows a jist or concept - a story of a collapse into a deep depression caused by a schizophrenic, antagonistic entity in the protagonist's head that injects depression. To escape from the suffering of the Mr. Self Destruct/Ruiner/mechanical voice in his head, the protagonist.... *spoiler* *spoiler* *spoiler* The album undergous many different states of mind, specifically anger, mental illness and regret, but also occasional glimpses of happiness and comfort - short stops on tropical islands before you continue your journey swimming through a sea of boiling water (special thanks to MutantClannfear on Metallum for that line). Let's just say the album has an unrelenting feeling of misery and darkness behind it that, despite how disturbing it is, you can't stop listening to it.

On other words about the lyrical and vocal content, Trent Reznor is without a doubt a genius at it. The vocals in track 7 "The Becoming" are by god the peak of Reznor's vocals and some of the best he has ever uttered in any of his songs. Just so full of intensity, so full of emotion, all different kinds of it. Trent Reznor, similarly to Maynard James Keenan (Tool) or Edgy 59 (Burning Witch), has a difficult to master vocal talent of sounding like a vicious mental ward patient at one moment and a cornered, kicked animal in the other. The lyrics invoke very disturbing, paranoia-inducing imagery, and if you don't read me, just take these examples from the album:

"The me that you know, he used to have feelings, but the blood has stopped pumping and he is left to decay The me that you know is now made up of wires, and even when I'm right with you, I'm still so far away." - Track 7, "The Becoming"

"Scar you, break you, lose me, hate me, smash me, erase me, kill me, kill me, kill me" - Track 11, "Eraser"

"All the pigs are all lined up, I give you all that you want Take the skin and peel it back, now doesn't it make you feel better?" - Track 4, "March of the Pigs"

Regardless of what they mean to you, they still invoke a very disturbing imagery in your head no matter the cause. This album, to me, is a masterpiece. Its a disturbing, decaying, destructive concept album that is absolutely massive in its approach and is important to me beyond words. In fact, I'm a bit disappointed about how this review turned out, as I foreshadowed earlier; because my words do not do justice to how incredible it is. One of the best industrial albums ever written, Trent Reznor really outdid himself here and this is beyond doubt the best of his musical career. Buy it if you haven't already.

Since the album is basically meant to be listened to as a whole (since its a concept album), its difficult to pick standout tracks (especially since all of them are great songs), but if I had to choose highlights, they would be:

March of the Pigs, Closer, Ruiner, The Becoming, Eraser, Hurt

The only downside I can think of here is: don't buy the double-sided version. It has excellent quality, yes, and a great idea to have both the DVD and CD on each side, but its pretty much impossible to not smudge it when you pick it up to put it in the player. Either way, it doesn't detract to how great this album and band is.

Song rankings: Mr. Self Destruct 9/10 Piggy 8/10 Heresy 8/10 March of the Pigs 9/10 Closer 9/10 Ruiner 9/10 The Becoming 10/10 I Do Not Want This 8.5/10 Big Man with a Gun 7.5/10 A Warm Place 8.5/10 Eraser 10/10 Reptile 9.5/10 The Downward Spiral 9/10 Hurt 11/10

KILLING JOKE Brighter Than a Thousand Suns

Album · 1986 · Industrial Metal
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RuneWalsh2112
The more I explore the discography of Killing Joke, the more I realize how brilliant and influential they really are! Unfortunately, artistic brilliance rarely strikes twice as artists are bound to move forward while leaving their glorious achievements behind them as trophies of their magnitude.

Having just discovered the new potential playground known as New Wave, Killing Joke decided to dig even further down the hole that they were making for themselves. Still, this was all done with good intend and the band never sounds like they are commercializing their sound for the sake of it nor is there any evident lack of ambition on "Brighter Than A Thousand Suns".

Stripping their sound completely from the familiar raw sound of Geordie Walker's guitar and Jaz Coleman's vocals must of been quite a daring decision for the time, but the result really makes no real sense considering the excellent results that Killing Joke achieved on, their previous album, "Night Time". Having said that, let's get one thing clear - "Brighter Than A Thousand Suns" is by no means a bad record but it certainly feels like a misguided attempt at a style that just doesn't bring anything interesting to the band's overall sound.

Frustrated with the direction that the band was heading for, Paul Ferguson left the band and didn't return until the release of "Absolute Dissent" (2010). Paul Raven also seemed to begin his distancing process by not receiving(/taking?) any credit for his bass guitar playing on the controversial follow up album "Outside The Gate". Ultimately this album was the breaking point for Killing Joke, but it turned out to be for the better considering the cult following that they managed to achieve in the following years!

**** star songs: Sanity (4:15) Chessboards (5:47) A Southern Sky (4:39) Rubicon (6:35)

*** star songs: Adorations (4:28) Twilight Of The Mortal (4:14) Love Of The Masses (6:07) Victory (3:57) Wintergardens (5:32) Goodbye To The Village (5:18) Exile (6:27)

KMFDM WTF?!

Album · 2011 · Industrial Metal
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Warthur
KMFDM's WTF?! is little different from much of their other work, especially when it comes to their latter-day material: take rather generic dance music beats, have someone sneer vocals on them in a crackly, distorted voice, continue for 40 minutes or so and declare it an album. It's not a bad or incompetent example of what KMFDM do but, like so much of their material, it isn't especially stellar either, and once again I'm left with the impression that if KMFDM showed a bit of discernment with what they release and took a little longer polishing their albums they'd be a much easier band to like.

KMFDM Naïve

Album · 1990 · Industrial Metal
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Warthur
KMFDM's Naive is a reasonable but not brilliant grab-bag of industrial-flavoured dance tracks. Often slotted into the whole industrial metal scene without really sounding very metallic or embracing the musical approaches typically associated with metal, the band do a reasonable job providing danceable beats with lyrics which I can honestly take or leave. Although it's considered a fairly significant album when it comes to KMFDM's musical development, at the same time if you're after metal-tinged industrial material both NIN's debut album and Ministry's The Land of Rape and Honey had preceded this one and kind of blow it out of the water.

MINISTRY Relapse

Album · 2012 · Industrial Metal
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UMUR
"Relapse" is the 12th full-length studio album wtih original material by US industrial metal act Ministry. The album was released through 13th Planet Records in March 2012. "The Last Sucker (2007)" was meant to have been the last studio album with original material released by Ministry, as bandleader Al Jourgensen announced that he would end the band after the tour in support of the album to concentrate on managing his 13th Planet Records label. But Al´s a rocker and probably missed the limelight so after a 4 year hiatus Ministry return with "Relapse".

Listening to "Relapse" it can´t be said enough times how bad a decision it was to disband Ministry and how equally great a decision it was to resurrect the band. The band´s industrial/thrash/punked metal style is intact and powerful as ever. No signs of fatigue here. Al Jourgensen is as provocative as ever with his politically charged or drug advocating lyrics. Always delivered with a gleam in the eye though. He has gathered a team of competent musicians to execute his plan in Tommy Victor (Prong, Danzig) on guitars, Mike Scaccia (Rigor Mortis) on guitars, Tony Campos (Soulfly, Prong, Possessed) on bass and Casey Orr (Gwar, Rigor Mortis) on bass. Al Jourgensen is responsible for vocals, guitars, programming (including drum programming) and keyboards.

"Relapse" is quite the varied album with both fast paced and aggressive tracks like "Double Tap" and "FreeFall", more melodic tracks like "99 Percenter" and "Bloodlust" (both strongly influenced by Killing Joke) and industrial tinged tracks like the title track and "Git up Get Out 'n Vote". The inclusion of a cover of "United Forces" by S.O.D. is successful too. The inclusion of spoken samples are as usual an important element in the music.

Featuring a powerful and professional sound production, excellent musicianship and great songwriting, "Relapse" is quite the successful release to my ears. My only complaint would probably be about the programmed drums which does become a bit one-dimensional sounding. The programming is varied enough, but it´s the artificial sound of the drums that could probably have sounded slightly better with a more varied/dynamic drum production. This is a minor issue though and a 4 star (80%) rating is fully deserved.

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industrial metal movie reviews

MARILYN MANSON Guns, God And Government Live In L.A.

Movie · 2009 · Industrial Metal
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Kingcrimsonprog
Marilyn Manson may divide opinion, he may be taken too seriously by some and not seriously enough by others and it just makes sense that if you don't already like Marilyn Manson then this Blu Ray isn't something you should buy. I'm not going to get into a debate with anyone about whether or not Marilyn Manson albums have been declining in quality over the years but I will say that if you think they have, then the track listing of this concert is perfectly suited to you, with all the material dating before the divisive 'The Golden Age of Grotesque' album.

You may already know this; but for those who don't, this Blu Ray is not a simple transfer of the previously released DVD 'Guns God And Government,' which featured footage from all around the world on different nights. The Blu Ray is taken entirely from one concert in LA during the same tour but also features the same bonus features as the original DVD (chiefly a documentary/montage entitled 'The Death Parade')

The concert is just over and hour and a half in length and features sixteen tracks, including the unreleased 'Astonishing Panorama of the End Times,'as well as seven tracks from the then new Holywood album in addition to a selection of live favorites from older albums. The band features John 5, Twiggy Ramirez, M.W. Gacy and Ginger Fish, in what many fans have come to consider the classic line up.

The video quality is pretty incredible and its surprising just what a huge improvement this is over the previously released DVD, especially when the house lights are up. When the lights are up, this 2002 concert looks better than many live Blu Rays filmed as recently as last year and the team behind this Blu Ray have clearly done an excellent job. In addition to the sterling video quality, the sound is utterly fantastic and as with the video it honestly rivals the majority of modern concerts on Blu Ray.

The performance is excellent, right from the start you know you are in for a theatrical and over the top experience as Manson arrives on stage in a chariot pulled by bikini girls to a stage featuring huge backdrops of crucified fetuses, crucifixes made of various rifles and revolvers, a tonne of dry ice and even naked dancers. The set also contains the infamous slit walk and 'growing,' as well as several costume changes for Manson and one or two minor costume enhancements for the rest of the group.

If you didn't already know, while the band do perform live Marilyn himself sings over a prerecorded live vocal track when he is doing anything theatrical such as the stilt walk or standing behind the pulpit and from repeat viewings I have begun to think that while he sang live over the track on the night, these vocals were erased from the mix and replaced with the live track entirely although I am not 100% certain.

The Blu Ray specs are as follows: 1080i HD Widescreen (1.78:1) LCPM Stereo, Dolby Digital 5.1, DTS HD Master Audio.

In summary this is an absolutely excellent product in and of itself, doubly so if you prefer this period in Manson's history, and an extra star is warranted if you aren't put off by the vocal track not matching up to Manson's mouth movements.

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