Gothic Metal

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Gothic metal or goth metal is a subgenre of heavy metal music. Gothic metal combines the aggression of heavy metal with the dark melancholy of gothic rock. The genre originated during the early 1990s in Europe as an outgrowth of death/doom, a fusion of death metal and doom metal. The music of gothic metal is diverse with bands known to adopt the gothic approach to different styles of heavy metal music. Lyrics are generally melodramatic and mournful with inspiration from gothic fiction as well as personal experiences.

Pioneers of gothic metal include Paradise Lost, Theater Of Tragedy, The 3rd And The Mortal. Other pioneers from the first half of the 1990s include Type O Negative from the United States, Tiamat from Sweden, and The Gathering from the Netherlands. Norwegian band Theatre of Tragedy developed the "beauty and the beast" aesthetic of combining aggressive male vocals with clean female vocals, a contrast that has since been adopted by many gothic metal groups. During the mid-1990s, Moonspell, Theatres des Vampires and Cradle of Filth brought the gothic approach to black metal. By the end of the decade, a symphonic metal variant of gothic metal had been developed by Tristania and Within Temptation.

In the 21st century, gothic metal has moved towards the mainstream in Europe, particularly in Finland where groups such as The 69 Eyes, Entwine, HIM, Lullacry, Poisonblack and Sentenced have released hit singles or chart-topping albums. In the US, however, only a few bands such as Lacuna Coil, Evanescence have found commercial success.

Source: http://en.wikipedia.org/wiki/Gothic_metal

gothic metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm

MOONSPELL Under Satanæ Album Cover Under Satanæ
MOONSPELL
4.56 | 12 ratings
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THEATRE OF TRAGEDY Velvet Darkness They Fear Album Cover Velvet Darkness They Fear
THEATRE OF TRAGEDY
4.33 | 12 ratings
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LACRIMOSA Inferno Album Cover Inferno
LACRIMOSA
4.40 | 7 ratings
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TYPE O NEGATIVE Life Is Killing Me Album Cover Life Is Killing Me
TYPE O NEGATIVE
4.24 | 18 ratings
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SAVIOUR MACHINE Legend, Part I Album Cover Legend, Part I
SAVIOUR MACHINE
4.46 | 5 ratings
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CRADLE OF FILTH Cruelty and the Beast Album Cover Cruelty and the Beast
CRADLE OF FILTH
4.20 | 24 ratings
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THEATRE OF TRAGEDY Theatre of Tragedy Album Cover Theatre of Tragedy
THEATRE OF TRAGEDY
4.28 | 9 ratings
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WITHIN TEMPTATION The Dance Album Cover The Dance
WITHIN TEMPTATION
4.26 | 8 ratings
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THE GATHERING Mandylion Album Cover Mandylion
THE GATHERING
4.14 | 26 ratings
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CRADLE OF FILTH Midian Album Cover Midian
CRADLE OF FILTH
4.18 | 15 ratings
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SEIGMEN Total Album Cover Total
SEIGMEN
4.40 | 4 ratings
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TIAMAT Clouds Album Cover Clouds
TIAMAT
4.18 | 11 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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gothic metal Music Reviews

LACRIMOSA Satura

Album · 1993 · Gothic Metal
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Warthur
Satura represents the point where Lacrimosa begin to incorporate metal into their sound, but - alas - they hadn't yet learned how to do it interestingly. Some fairly basic riffs are offered to spice up their sound but the overall effect is flat and unimpressive. This is in stark contrast to the far more successful darkwave/metal mashup they hit on in Inferno. Once again, Lacrimosa prove to be a decidedly hit-or-miss band, with their shaky quality control here resulting in an album which feels as though it's constantly just about to really let loose but never quite gets around to it. Not recommended.

TIAMAT Prey

Album · 2003 · Gothic Metal
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Warthur
Tiamat's Prey is another album from the band's full-blooded goth rock period, with their earlier death metal sound being entirely extinguished. Occasional diversions to metal territory don't get much more metallic than, say, a fairly mild Marilyn Manson track, but the band's command of the occult-tinged gloom rock format is impressive and it's a worthwhile listen for those who dig Fields of the Nephilim and other goth bands who could go full metal if they want to but who steer in a different direction most of the time. And hey, any fan of occult rock would dig an album which closes with a seven-minute meditation on the pentagram, right?

PARADISE LOST One Second

Album · 1997 · Gothic Metal
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Warthur
Paradise Lost's One Second sees the band more or less abandoning all pretence of still retaining elements of the deathdoom sound of their early years, instead offering up a jaunt through the heavier end of gothic rock - they remind me a little of a slightly heavier Fields of the Nephilim from around the Dawnrazor period. Purists who are very fond of the preceding albums like Icon or Draconian Times may feel a little betrayed by this one, but personally I find this style much more enjoyable than their murky deathdoom era. Approach with an open mind and don't on hearing anything that's especially like their preceding material.

CRADLE OF FILTH The Manticore and Other Horrors

Album · 2012 · Gothic Metal
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arcane-beautiful
As you know by now, this is one of my favourite all time bands. Their early material is some of the strongest in metal and they are one of the most unique extreme metal bands on the planet. For a while, everything these guys touched turned to gold.

I noticed a slight failing with Thornography. I did enjoy a lot of it, but I could hear a weakness. Same with Godspeed On The Devil's Thunder. And then the weakest spots where shown on Darkly, Darkly Venus Aversa (the band's worst album in my opinion).

Cradle where aware of this...so upon making this album, they decided to go back to their roots a little and make what I would like to think of as Nymphetamine Part 2. Ok, that's a bit of a big step, but I can see slight similarities, especially in the pacing of the songs.

One example, is the storytelling nature of the songs. Probably one of the most enjoyable features on the album. Another is the impact of the guitar on the album. The keys and orchestra has been turned down, and the riffs are now the driving force of the song.

Now...I do prefer Nymphetamine by a long shot, but this album didn't deserve half the criticism it got. Don't get me wrong, it's far from being their best, but it's also not their worst either.

Some of the biggest flaws on this album are some ailments that Cradle have been suffering from for a while now. Dani's vocals are never gonna be what they used to be, so he really is limited to what he can and can't do. On this album, his delivery is very limited, with him only staying in a certain register for the most and only doing highs and lows on random moments, rather than showing the full range of his vocal prowess. The vocals are also a bit too low in the mix as well.

Instrumentally, the band are now down to a 3 piece, with Paul being the soul guitarist, and Martin now playing drums and playing all the keyboard parts. The songs can be a bit over the place at times, with a very odd structure. In a progressive way, it's kind of cool, but with an extreme metal band, having a good structured song can always make them more enjoyable.

Also...the album is worth the price for the amazing artwork inside the booklet (the front is a bit lack lustre). Also, the booklet smells nice (what...I love the smell of a good booklet).

1. The Unveiling Of O – An introduction really. 5/10

2. The Abhorrent – One of the albums most interesting songs on the album. A real hellride and a great introduction. 9/10

3. For Your Vulgar Delectation – The first song I heard off the album. A rather enjoyable song, that should have had a video. One of the best songs on the album. 9/10

4. Illicitus – The most black metal sounding song on the album. Some nice use of choirs and orchestration. 8/10

5. Manticore – A brilliantly paced and extciting song, with some pretty cool and vivid lyrics. Some nice twists and turns throughout. 8/10

6. Frost On Her Pillow – I really don't know why they decided to release this song as a single. It's the band's most forgetful song. I will never hum along to this cause I really just don't care about it. One of the worst things these guys have done. Generic as can ever be. 4/10

7. Huge Onyx Wings Behind Despair – Weird synths...starting off a Cradle Of Filth song? Yes I was taken back, but I did rather enjoy the punky and fast paced feel to the song. 8/10

8. Pallid Reflection – What Frost On Her Pillow should have been. A slower song, with hooks and melody. This should have been one of the possible video/single songs. 8/10

9. Siding With The Titans – The strongest lyrical moment on the album. Spme really killer crushing riffs on this song, and of course, strong images being presented by the lyrics. 9/10

10. Succumb To This – One of the best and most catchiest Cradle songs I have heard in a while. Nice hooks and it's also good to hear female vocals returning to the album. Some interesting lyrics as well. 9/10

11. Sinfonia – A nice little instrumental to end of the album. 6/10

CONCLUSION: A slight return to form and a step in a new direction. I was going to give up on this band after that last album, but this album has given me hope. A quite enjoyable listen, short and sweet and something a little different. I do wish they would see sense and return to their glory days, but because the band are so topsy turvy these days, it's hard to keep an eye on them. I am looking forward to whatever they do next.

6.8/10

ELEANOR (JPN) Breathe Life into the Essence

Album · 2013 · Gothic Metal
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Time Signature
Mourning...

Genre: gothic metal

There are, in my experience, two types of gothic metal: there is the cheesy stuff which features lots of keyboards and female operatic vocals (and, for some reason is associated with Finland), and then there is the good stuff: the melancholic stuff which is rooted in doom metal. Eleanor's "Breathe Life into the Essence" belongs to the second category.

Drawing on the likes of "Mandylion"-era The Gathering, "Alternative 4"-era Anathema, and "Draconian Times"-"Believein Nothing" Paradise lost, Eleanor have produced a massively melancholic and melodic work of Gothic metal in the form of "Breathe Life into the Essence". Every song is tastefully composed and precisely performed, and, despite the many straightforward and accessible melodies that it features, there is a slight avant-garde and quasi-progressive feel to the album.

The opening track "Time, Meditation and Dawn" is a nice little mellow and melancholic piece which sets the tone, mood-wise, for the rest of the album. While the musicianship is impeccable across the board, I particularly enjoy the expressive guitar work by Ippei J. Malmsteen and Nao. In particular, the guitar melodies are very captivating. The band's female Shiori Vitus, who sings in Japanese by the way, opts for more emotional and expressive vocals rather than the operatic singing style otherwise associated with female vocalists in the universe of gothic metal. And, well, her singing style suits the emotional music perfectly.

An artistic success, Eleanor's "Breathe Life into the Essence" is one of those gothic metal albums I really enjoy. It's melancholic. It's melodic. It's compelling. And, it's free of cheese.

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