Folk Metal

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Folk metal is a sub-genre of heavy metal music that originated in Europe in the early 1990’s and has since become more widespread. Folk metal, as the name suggests, is a fusion between various heavy metal styles and folk music. English band Skyclad is often credited for being the creators of folk metal for their 1991 album The Wayward Sons of Mother Earth, which featured a full time violinist alongside the more commonplace metal band setup of vocals, guitars, bass and drums. Many artists have since greatly expanded on the use of such instruments, with mandolins, banjos, flutes, whistles, bodhráns, hurdy gurdy and more all being featured in various folk metal releases.

There is no standard as to which metal genres can be merged with folk music to create folk metal, with bands ranging from more traditional heavy metal influences to extreme metal, with black metal being a common choice. Likewise there is no standard on how the folk influences should be utilised within a folk metal band. Mostly notably folk metal bands may or may not incorporate traditional instruments such as violins or tin whistles alongside the metal instrumentation. Some bands prefer to rely solely on keyboards to create a folksy atmosphere in their music (such as the first two albums by Russian band Arkona), while others prefer to play folksy lead melodies on electric guitars (such as German band Wolfchant and Norwegian band Storm). Because there are no standard norms for either side of folk metal it has grown considerably since the release of The Wayward Sons of Mother Earth to become one of the most diverse metal genres to exist. Bands can now range from the melodic to the extreme.

Since the genre's genesis, several regional variants of folk metal have also developed, the most notable being Celtic metal, Medieval metal and Oriental metal. The bands Cruachan (from Ireland), Subway to Sally (from Germany) and Orphaned Land (from Israel) are considered to be among the pioneers of each style respectively. While sometimes included under Oriental metal, metal music that makes use of folk elements from Eastern Asia is sometimes considered a folk metal subgenre of its own or distributed among other metal genres. For instance, Tang Dynasty and Fu Xi are both known for incorporating traditional Chinese instrumentation into their music, but the former are normally considered a traditional heavy metal band while the latter are considered a doom metal band.

Yet more terms have been coined that are commonly associated with folk metal: Viking metal and pagan metal. These terms however, while they can refer to folk metal, can just as often refer to another style entirely, the other style often being black metal. Terms such as these are usually used in regard to an artist based on their lyrical themes, rather than the sound of their music and as such artists labelled as such can sound very different from each other.

Folk metal has also often been crossed with other established genres of metal music to form distinct hybrids between two metal styles, where the folk influences may or may not be present in every song the artist writes, such as the power metal act Falconer. It is also not uncommon in modern metal music for folk influences to crop up as a rare occurrence such as in an introductory instrumental or even in a regular song.

The genre has become increasingly popular among metal fans over the years, reaching new heights in the 2000’s. Today folk metal bands hail from all over the world, although the genre itself remains most popular in Europe. Many bands have gained widespread attention from the metal press with bands such as Korpiklaani, Ensiferum and Finntroll numbering among the world’s most successful folk metal bands as of 2011.

Sub-genre collaborator:
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folk metal top albums

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CRUACHAN Folk-Lore Album Cover Folk-Lore
CRUACHAN
4.69 | 6 ratings
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EQUILIBRIUM Sagas Album Cover Sagas
EQUILIBRIUM
4.73 | 5 ratings
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WOLFCHANT Call of the Black Winds Album Cover Call of the Black Winds
WOLFCHANT
4.74 | 4 ratings
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MOONSORROW Suden uni Album Cover Suden uni
MOONSORROW
4.41 | 12 ratings
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FALCONER Armod Album Cover Armod
FALCONER
4.48 | 7 ratings
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ELUVEITIE Evocation I - The Arcane Dominion Album Cover Evocation I - The Arcane Dominion
ELUVEITIE
4.48 | 6 ratings
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АРКОНА Слово Album Cover Слово
АРКОНА
4.48 | 6 ratings
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FINNTROLL Ur jordens djup Album Cover Ur jordens djup
FINNTROLL
4.41 | 8 ratings
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TURISAS The Varangian Way Album Cover The Varangian Way
TURISAS
4.51 | 5 ratings
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LEAVES' EYES Meredead Album Cover Meredead
LEAVES' EYES
4.46 | 6 ratings
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WUTHERING HEIGHTS Salt Album Cover Salt
WUTHERING HEIGHTS
4.47 | 5 ratings
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SKYCLAD The Wayward Sons of Mother Earth Album Cover The Wayward Sons of Mother Earth
SKYCLAD
4.32 | 9 ratings
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folk metal Music Reviews

METSATÖLL Ulg

Album · 2011 · Folk Metal
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Time Signature
Heart of war...

Genre: folk metal

Get ready to folk it up with the Metsatöll boys on this album entitled "Ulg" (and I must say, I love the cover art work!!!!) which combines medieval folk music with heavy metal aesthetics. Now, very often, I think that folk metal does not work, but Metsatöll belong to those bands who can create folk metal which works extremely well.

After a quite mellow and pleasant instrumental intro in the form of 'Agu', 'Sõjasüda' kicks in with fast drum beats and dissonant chords, and with its emphasis on repetition and speed, this song basically combines black metal and thrash metal, adding a folksy touch in the form of the vocal patterns. Continuing down the primitive thrash road, 'Küü' starts off combining a simply one chord groovy guitar riff with a folksy melody performed on a type of flute. Perhaps taking the listener by surprise some odd time signature passages pop up, and the remainder of the song goes back and forth between the simple groovy riff and rhythmically more complex odd metered parts, and, combined with the folksy vocals, this dynamics works excellently. 'Muhu õud' has more of a folksy drive to it, and a nice uplifting twangy sound on top of the distorted guitars, and 'Kivine Maa' is more of a traditional heavy metal / hard rock tune (with some nice use of Jew's harpes and other medieval instruments on top of the classic metal riffage). Another noteworthy tune is the rhythmically and slightly progressively oriented oriented metal track 'Kahjakaldad' (one of the best tracks on the album, for my money).

I think that one of the things that make this album work is first of all the balance between variation and coherence. Also, Metsatöll focus primarily on the metal aspect of their music, allowing the rhythm guitar to take the central role in the overall sound of the album, while the folk element primarily consists in the vocal lines and the melodies performed on folk instrumentation (I mist admit that I would have liked some more lead guitar on this album).

Overall, 'Ulg' is a quite good medieval/folk/pagan metal album which manages to draw on different types of heavy metal music, including black metal, thrash metal, and traditional metal to generate a varied, metal-focused folk metal album.

PRIMORDIAL Redemption at the Puritan's Hand

Album · 2011 · Folk Metal
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Phonebook Eater
7/10

“Redemption At The Puritans Hand” is a really good follow up to “To the Nameless Dead”, without repeating the formula too insistently.

After four years, Primordial return with a new album to the joy of the fans. This release was highly anticipated, after following their masterpiece “To The Nameless Dead”. We get something that is highly similar in concept to the previous album, perhaps toned down just a bit.

If you expect something different from the previous album, you’ll be disappointed; musically, the two albums share the same style and sound, as it was simply a second part to “To The Nameless Dead”. Thus, we have an archaic sounding production, with harsh guitars, vocals, and drums. Together, they create a dark, bleak, but at times hopeful sounding atmosphere. Whether this album is darker and more effective, it’s highly debatable. However, I can’t deny that this album has quite some moments that are distinct and unique from the other albums.

“Redemption At The Puritans Hand” is a solid release overall, consistent, and very much coherent lyrically speaking, however, I can’t help not enjoying it all the way through. Some parts of the songs, aren’t necessarily bad, or boring, the album as a whole I guess was too long, or at least it felt like it was going on forever. One of the reasons might be that the band always stretches out their songs, without adding another part to them, but of course this band is not progressive, and I never expected them to do so.

I found myself really liking some songs on this one, like the first two songs that open the album, “No Grave Deep Enough” and “Lain With The Wolf”, both having an amazingly dark and bleak atmosphere, even in the harsher moments. “The Mouth Of Judas” was kind of catchy for this record, it has a brilliant melody and a great atmosphere, and “Death Of The Gods”, the final track, is a perfect ending for such an album. Other good songs would be “The Black Hundred”, in all it’s diversity, and “Blooded Yet Unbowed” once again having a good melody and haunting atmosphere.

A solid effort, no one can deny it: one of those albums you feel like something is wrong, but you just don’t see it, because in the end you have almost no complaints. Possibly the only thing is that it is feels, like I mentioned, way too long, and much more than just an hour. Nevertheless an album that is certainly worth the wait for Primordial fans.

TÝR The Lay of Thrym

Album · 2011 · Folk Metal
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Conor Fynes
'The Lay Of Thrym' - Tyr (6/10)

The Faroe Islands are not a place that many know anything about, let alone that they are home to one of the biggest Viking metal bands out there. Tyr is a band that takes their love of Norse mythology and makes music surrounded by it, and while this is certainly nothing new for a metal genre that has been worshiping the icy gods virtually since its inception, their highly melodic and clean-vocalized approach to viking metal tends to send them apart somewhat from the legions of other Viking revivalists. 'The Lay Of Thrym' shows a band that is very familiar with their sound and the science of making Viking metal music. On that note, there is nothing new here that listeners of Tyr will not immediately identify with, but their legacy of catchy and melodic mythos-inspired metal lives on here.

I will make it clear from the beginning that Viking metal is not something I find myself all too enthused by, seeing as there are only so many albums and songs that can be written about the ancient stories. On the other hand, Tyr do have a identifiable sound to them, thanks largely to the vocals of Heri Joensen. It is not necessarily that his voice is distinct, but rather the fact that in a genre where vocalists tend to rumble and snarl, he opts for an incredibly clear, only slightly accented melodic voice. The music huddles around the vocal strengths of Tyr, as is evidenced by their songwriting. Although Tyr's songwriting gets somewhat tired by the end of the album, they do know how to write a catchy song, and the choruses to each of these will have you at least humming along by the end of it.

'The Lay Of Thrym' certainly is about being Norse and in no dearth of reverence for the old gods, but the thing that actually had me even just a little surprised by the album was the fact that Tyr was expanding their lyrical themes to address other issues. As one might expect, 'Shadow Of The Swastika' is about Nazis, and although a stranger to this band might suddenly think based on the title that Norse mythology is not the only thing that Tyr wants to revive, the band openly condemns the neo-Nazi movement, as well as all of the National Socialist bands that give metal a bad name. The lyrics are not particularly poetic- as anyone who has heard the song may agree- but undeniably effective. With 'Take Your Tyrant', they continue this style of good-guy lyrics, and while it is an interesting change of pace to see a metal band writing lyrics about things advocating the good and well-being of mankind (as opposed to its depravity and destruction), they usually are not particularly interesting.

For someone looking for upbeat, catchy, and even slightly (but only slightly) progressive Viking metal, Tyr's 'The Lay Of Thrym' may be a good album to check out. The album does not pass me as being great or excellent, and while the upbeat melodic nature of Tyr can feel a little too shallow for the album's length, there are enough strong tracks and originality to be worth checking out.

PRIMORDIAL To the Nameless Dead

Album · 2007 · Folk Metal
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Phonebook Eater
8/10

“To The Nameless Dead”’s violent finesse makes it one of the key albums of Folk Metal.

Primordial, after the release of the acclaimed “The Gathering Wilderness”, took a step forward with their following release, “To The Nameless Dead”, thus far the best album that band has put out. Easily definable as a landmark album for Folk Metal, and puts Primordial among the highest names of such genre, along with Moonsorrow, Agalloch, Finntroll, Eluveite, Wuthering Heights, Nokturnal Mortum, and many others.

Like “the Gathering Wilderness”, “To The Nameless Dead finds it’s folkish elements not really in acoustic moments, which is a very common stereotype for Folk Metal, but in the rhythms, the dark, evoking melodies, the Ancient Roman flavored lyrics, the overall visceral and at times bleak atmosphere. However, this last album is more open to explicit Folklore, especially one song in particular, “Heathen Tribes”. The harshness of the guitars have not settled down, but have even more increased in intensity, the vocals by frontman Nemtheanga have got even more powerful and intense, yet always unique, the drums more fat but still great to hear. The atmosphere, like mentioned, is more effective and urgent than the previous albums: the solemnity of these galloping tracks is of an elegance (from the metal point of view, clearly)that rarely I hear in an album, is perfectly combined with a most visceral, crude, and rebellious atmosphere: this mix of almost opposing types of sound gives this album of a sort of violent finesse.

The reason of such a focused and clear atmosphere is also because of the lyrical content, which for the most part consists of Ancient Roman history, Roman Paganism, invasions. There is a more human approach on this one compared to the somewhat feral “The Gathering Wilderness”. However, nature is still of a great presence in this album, lyrically, but it isn’t hard to feel it in the air as well.

The album is the most solid Primordial has ever released, eight mostly long songs starting with“Empire Falls”, the opening track, no doubt one of the very best tracks of the band, with it’s amazing riff, strong vocals, great flow and amazing heaviness, while the surprising “Heathen Tribes” is a almost completely acoustic song that reminds much of Irish Folk music because of it’s andante rhythm. “As Rome Burns”’s nine minutes are another standout point, especially the second half of the song, where you find Primordial that have never been so intense. The Black Metal influences are most noticeable in the finale “No Nation Of This Earth”, which also has a mood and riffs that remind of such dark music.

There is really not one song I can talk badly about, a terrific album that rightfully deserves a place in the great metal efforts of the new millennium. An instant classic.

PRIMORDIAL The Gathering Wilderness

Album · 2005 · Folk Metal
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Phonebook Eater
7/10

“The Gathering Wilderness” sounds like a dark evocation of nature itself.

Primordial have been a huge success among the metal community, and praised as one of the best metal bands out there, as well as one of the best Folk Metal bands ever. One of the reasons for this success is “The Gathering Wilderness”, the band’s fifth studio album and the first that receives a lot of attention.

This Irish band has a pretty unique sound, and at the same time, it doesn’t sound like anything new: pure metal, with archaic sounding production and plenty of clean guitar atmospheres that go along with crunchy and heavy riffs, and harsh, yet extremely dramatic vocals, which sometimes are also shrieking. Many of these songs have unusual rhythms for metal, reminding a bit of traditional Irish music, a clear influence for this band. Folk Metal thus is the easiest label for this kind of music, but, looking also at the lyrics, there is a lot of references to paganism, nature, Gods, and Irish history, this way going also towards a Pagan Black Metal direction. These song structures are pretty stretched, going to the nine minute mark at the maximum. It’s a pretty long, but extremely solid release, featuring only seven tracks, that have many elements in common and remind one another, without it being a negative trait, as a matter of fact, it’s a characteristic that makes this album even more solid.

“The Gathering Wilderness” is a good mix of harshness and mellowness, but what makes this sound special is the way the musicians executed it and the overall sound if it: it has an evocative, yet savage production, like I said, thus it truly sounds like an evocation of nature itself, and I’m sure that is exactly what Nemtheanga and his fellow mates were aiming at, due also to their love for archaisms.

“The Golden Spiral”, the eight minute opener, gives you exactly what you’ll get for the remaining fifty minutes, but the title track adds even more spice to the course, as one of the greatest songs of the band, where the lyrics and the vocals are a standout. Hard not to be terrified when Nemtheanga sings “my Faith is not welcome here”. The remaining songs are really good as well, especially the extremely dramatic “The Coffin Ships”, and the final track “Cities Carved In Stone” which gives an epic conclusion to this album.

“The Gathering Wilderness” that will be for some a classic, and it a way, it is a standout for recent Celtic Metal. It’s intense drama and melancholy will eventually lead to the band’s masterpiece, “To The Nameless Dead”, which actually owes so much to “The Gathering Wilderness”.

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