Ocean Machine: Biomech
DEVIN TOWNSEND

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DEVIN TOWNSEND - Ocean Machine: Biomech cover
4.09 | 27 ratings | 3 reviews
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Album · 1997

Filed under Progressive Metal

Tracklist

1. Seventh Wave (6:50)
2. Life (4:31)
3. Night (4:45)
4. Hide Nowhere (5:00)
5. Sister (2:48)
6. 3 A.M. (1:56)
7. Voices in the Fan (4:39)
8. Greetings (2:53)
9. Regulator (5:06)
10. Funeral (8:06)
11. Bastard: 1. Not One of My Better Days / 2. The Girl From Blue City (10:17)
12. The Death of Music (12:15)
13. Things Beyond Things (4:47)

Total Time: 73:58

Line-up/Musicians

Devin Townsend – vocals, guitar, keyboards
JR Harder – bass
Marty Chapman – drums
Chris Valagao – backing vocals
John Morgan – keyboards, samples

About this release

Label: HevyDevy Records
Release Date: July 21, 1997

Originally recorded as the album "Biomech" from the band Ocean Machine. Later renamed as a Devin Townsend solo album.

Thanks to negoba, Stooge for the updates

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Specialists/Collaborators Reviews

Warthur
Biomech was originally credited to Ocean Machine, a moniker for Devin Townsend's solo projects before he just applied his own name to them. Whatever name is applied to it, it's an intriguing brand of metal which unlike many prog metal releases focuses not on references to prog bands of the past but rather concentrates on presenting this light, shimmering wall of guitar which reminds me at points of the work of shoegaze bands such as My Bloody Valentine. Personally, I find the album gets a bit wearing after the first few minutes and lacks the variation or wit of later works by Townsend, but it's an interesting enough listen and by no means an embarrassing start to a solo career.
Sheavy
(Original review from ProgArchives.com)

Considered one of Devy's better works, Ocean Machine is heavy with lots of feeling and emotion put into it. This album is not my absoluite favorite album by DT, but it still is up there. For me, there is just a bit to many boring parts, especially with the atmospheric songs with samples, I do not particully care to much for, but that is my only gripe with this album. The songwriting here is excellent and Devy does a wonderful job of keeping thing interesting (except the aforementioned parts ), with a good balance between the heavy stuff and the light atmospheric stuff. I do not really have much more to add to this album than what has already been said, so, just get this album. It is worth your time.
Negoba
Gorgeous, Brilliant, Perfect.....I guess I like it

Devin Townsend is a once in a generation talent and the fact that he's my generation only enhances my love of his work. I'm sure the fact that he grew up with the same backdrop of musical culture contributes to the fact that his music really connects with me. Or perhaps it's just that good. When I put on the earphones and listen to Ocean Machine, I get lost in another world. The beautiful thing is the music is actually uplifting, energizing, and colorful. So much of the post metal scene is cold, depressed, or angry. Though Devy certainly taps on those emotions, his music never seems depressing. It's full of energy, invigorating.

Ocean Machine, I believe, was the first time Devy created the (relatively) softer, multi-layered, semi- ambient sound that now has become his trademark. His modally tuned guitar was already heard on Strapping Young Lad, but the full range of tone color really wasn't expressed until this project. Townsend worked on this for some time, writing some of the material as far back as his stint with Steve Vai. The result is nearly flawless, and the few tripups are minor at worst (The nasty surprise at the end, the ambient effects being just a little too loud on "Sister", etc.).

The songs flow seamlessly one to another, despite running from aggressive metal to pure ambient keys to near a cappella voice to pop. The pop is usually what loses my interest on Devy albums, but here the instrumentation is so good (like the back beat riff on "Life") that the major melodicism doesn't bother me. The flow and sequencing is phenomenal, the entire album seeming like a continuous experience. The songs are still distinct, with varied feels in the guitar, vocal tonalities, and use of keys.

This has been a review I've put off a long time, because I don't have much to say other than "It's awesome." The later Terria has better production, hit higher highs of brilliance, but doesn't flow as perfectly start to finish. This is the one to lose yourself in, eyes closed, laying back with good headphones. It's just beautiful metal-based art music, a masterpiece.

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