Warthur Captain Beyond's self-titled album combines hard rock heroics with prog-derived song suite structures to offer up a memorable trip. With Rod Evans adding a quintessentially hard rock voice to proceedings and Larry Reinhardt delivering a similarly muscular performance, this certainly isn't one of the more delicate or pretty prog albums of the 1970s, but it does deserve to sit alongside the early Queen albums as a good example of how prog song structures can rock with the best of them. The album was dedicated to the late Duane Allman, who had helped convince Capricorn Records to take on the supergroup, and there's definitely a certain bluesiness to the riffing here and there, so if you wanted to hear what the Allman Brothers or Cream would have sounded like had they turned their music in a proggier direction this album might just answer that question.

Sinkadotentree CAPTAIN BEYOND released this album back in 1972. They were regarded as somewhat of a super-group with two members of IRON BUTTERFLY joining DEEP PURPLE's early vocalist Rod Evans, then add session drummer Bobby Caldwell who played with Johnny Winters and many others. Many of these tracks blend into each other as we are presented with a heavy brand of music that rocks pretty hard throughout but there is a psychedelic vibe thrown in as well. This doesn't remind of DEEP PURPLE though, probably because there is no organ on this one. Surprisingly i've never fallen in love with this album but it certainly is worth 4 stars.

AtomicCrimsonRush Thanks to reviewers I was drawn to this album like a moth to a flame. Immediately I was dazzled by crunching riffs with heavy guitars and then amazing time changes locking into killer riffing with dirty guitar sounds and serious vocals. The time sigs changes so dramatically it is hard to keep up but it is such a delight to be treated to an obscurity like this hiding in the prog vaults. It begins with 'Dancing Madly Backwards (On a Sea of Air)' with all the time shifts and then blazes straight into 'Armworth' with Rod Evans' vocals, from Deep Purple, and hard rocking non stop rock rhythms.

The riffs are always prevalent and driving headlong to new half time feels and awesome instrumental breaks with the mind bending guitars of Rhino, from Iron Butterfly. His slide guitar work is absolutely psychedelic and atmospheric. Bobby Caldwell was a brilliant drummer and has a field day on percussion injecting timpani triplets and odd beats throughout. The bass of Lee Dorman is a constant pulse. 'Mesmerization Eclipse' is the first break into a different feel after the non stop opening suite of songs. There is another heavy riff and Deep Purple style vocals. They are much more progressive though, and once again the song reaks into several signatures, the band are brimming over with creativity and one never knows where they will go next, fast to slow to downright out of place, each meter is a pattern that locks on with that ever present heavy guitar. I didn't like the way this faded out slowly but immediately the next riff settles in on 'Raging River Of Fear'. This has a heavy bluesy feel, aggressive vocals and accomplished rhythm changes. The drums on this are incredible, constantly providing new tempos and fast paced beats and fills.

'Thousand Days Of Yesterday (Intro)' settles down the fury with quiet acoustic picking and gentle vocals. The harmonies are nice and the overall feel is melancholy to break away from the heaviness before and after. It doesn't last long as the next moment guitars crunch in and a fast tempo with forced vocals on 'Frozen Over'. The half time feel on this is astonishing injecting new metrics and it then changes completely in the next section. Nobody changes time sigs like Captain Beyond; so rapid and always appropriate. It fades into an accelerated acoustic rhythm on 'Thousand Days Of Yesterdays (Time Since Come & Gone)'.

A fantastic rhythm locks in and Rhino is dynamic in the lead break. It fades and hammering chords intro 'I Cant Feel Nothin (Part 1)'. The drums are dazzling along with another massive riff. The vocals are easy on the ears and close to the Bachman Turner Overdrive style. The music continues non stop with a suite of songs; 'As The Moon Speaks (To the Waves of the Sea)' a quiet acoustic piece of beauty with narrative vocals, 'Astral Lady', 'As The Moon Speaks (Return)' back to the pounding rock of 'I Cant Feel Nothin (Part 2)'.

What a fantastic heavy slice of heavy prog with an obscurity that should be unearthed and played often. A great find for any heavy prog fan and one to return to habitually.

Bmiler One of those albums that just won't let up the whole way through. Usually I shy at the thought of a "supergroup", a collection of well-established musicians coming together, but then giving you something like Asia. Not with the case of Captain Beyond, with Rod Evans from Deep Purple Mk. I, Lee Dorman from Iron Butterfly (including In-a-Gadda-da-Vida), Larry "Rhino" Reinhardt from Iron Butterfly (on Metamorphosis), and Bobby Caldwell, a session musician who played for Johnny Winter, amongst others.

Apparently Duane Allman recommended the band to Capricorn Records. The album was released with a lenticular cover, kinda like the Stones' Their Satanic Majesties Request, or the special edition version of Opeth's Heritage. Not like the Southern Rock you might associate this label with. What you have is just some really unbelievable hard rock, lots of great guitar playing, the occasional psychedelic and space rock overtones, even a touch of Southern Rock (more of the bluesy variety than the country-influenced variety). The music segues into each other, so there is no interruption (aside from flipping over sides if you own the LP). Oh yeah, if you were put off by Rod Evans' "cabaret" singing in Purple Mk. I, you'll be shocked at the bluesy/hard rock approach he does here. You can guess that had he sung like that in Purple Mk. I, he would have received greater respect. It's hard for me to pick favorites, but "Raging River of Fear" has a bit of a Cream-like feel, because the vocals remind me of Jack Bruce. It's an album you gotta hear to believe!