Pelata A little Doom, a dash of Sludge, a hint of Stoner and a whole lot of Metal comprise the music of Canada’s Bison B.C. Mixing these influences into a cohesive concoction could have been no easy task, but Bison B.C makes it sound natural…jumping from grooves to melodies to fast to slow tempos has never sounded so good. Longer instrumental sections take on a hypnotic vibe as well. There is a bit of a retro feel to the album, but make no mistake…it’s not “throwback” by any stretch.

Recorded in just 2 weeks time, Quiet Earth is energetic, fresh and full of fire. The guitar work from riffs to melodies to solos is outstanding. The instrumental “Medication” has some great, Trouble-esque guitar harmonies (which can be found in several places on the album) with some explosive riffing akin to Mastodon or maybe Giant Squid’s heavier moments. “Primal Emptiness Of Outer Space” kicks things off in head-banging territory with a big riff on the verse & aggressive, shouted vocals. “Dark Towers” shows a little Thrash Metal influence as well. The epic, two-part monster “Wendigo” (“I: Quest For Fire” and “II: Cursed To Roam”) runs the gamut from a string section intro (reminding me a tad of Believer’s orchestral interludes), bombastic Doom devastation, aggressive up-tempo Metal (with a dash of Punk) and a mind-tripping outro. The mesmerizing title track closes the album perfectly. This is a song meant to be played live. By the time the vocals kick in (over 2 minutes after the song starts), the crowd will no doubt be in a fist-pumping frenzy before inciting a pit-riot like no other.

This record is massive. Heavy through and through, top shelf musicianship and songs that beg for repeated listens. You can’t go wrong with this one.

Pelata Canada’s Bison B.C. return with their second full-length for Metal Blade Records and, after a few spins, the band members seem to have outdone themselves. This record carries everything up a notch… the Doomy atmospheres, the stomping Stoner grooves, the intricate arrangements and the impressive musicianship. There is no holding back, no simplifying, no softening up under the guise of “broadening their fanbase”. These guys do what they do and you either like it or you don’t.

“Two-Day Booze” just comes in ripping the doors off with it’s harmonized guitar intro before diving into a beastly groove… loads of aggression in this one. “Take The Next Exit” shows a little thrash metal influence with it’s neck-snapping opening riff before the Pink-ish verse kicks in. In fact, a lot of the vocals have a very Punk-like vibe about them, but run from screaming growls to angsty yelling. The 8-minute-plus opening track “Stressed Elephant” is simply superb. Some of the parts of this songs remind me of some of the more modern, post-metal bands like Isis or Irepress… that sonic wall guitar tone and the suffocating riffs… but with a tad more groove about it. “Fear Cave” offers more weighty, doom-laden madness with thrashy, head-banging moments thrown in for good measure.

All in all, I’d say Dark Ages is a more than worthy follow up to Quiet Earth. I love it and will find myself spinning it often, no doubt. Seek it out… it will be worth whatever it takes for you to own it. Now, if you’ll excuse me, I’m off to punish myself incessantly for missing their show w/ High On Fire in 2010.

Conor Fynes 'Dark Ages' - Bison B.C (7/10)

As a band hailing from my hometown of Vancouver that has recently some into a bit of sucess, it's safe to say that I have been watching this band and their rise to fame in anticipation. Having seen them live multiple times before, they are one of the most energetic and heavy bands out there in the metal scene. Fueled by their self proclaimed 'love of the riff,' Bison focuses their talent around creating thick and heavy riffs that wouldn't sound out of place as a soundtrack to a night of heavy drinking and metal excess. This heavy metal archetype aside however, Bison reinforces this primal rage with something many of its contemporaries seem to have overlooked; a sense of intelligence and buried sophistication to their sound.

With the 2010 album 'Dark Ages,' Bison has even further developed their punk and thrash- ridden energy into something more unexpected than their first major recording, 'Quiet Earth.' From the first few seconds of the opener 'Stressed Elephant' alone, there can be heard; an attention to gated guitar effects, a steady build up of sound, and even a beautifully executed horn section before the guitars kick into full gear. Also, with songs topping the eight minute mark, Bison is certainly not a band that's content with releasing mediocre, or half-baked material.

While the shorter songs still keep the ball-breaking heaviness alive, the album meets it's winning streak with the more involved pieces; specifically 'Stressed Elephant,' and the epic closer 'Wendigo Pt. III.' The latter of these songs is a continuation of a song suite that began on 'Quiet Earth,' and those who are familiar with the debut may agree with me that the first two parts of the 'Wendigo' saga were among the most memorable moments of the debut. Not only does the track work well to conclude an album in which the preceding six tracks set the bar high, but its a remarkable way to apparently wrap up the epic.

With song titles like 'Two Day Booze,' you can be damned sure that 'Dark Ages' will not be sharing the CD shelf with alot of the other pretentious, daiquiri-sipping bands that have plagued the heavy metal scene lately. While the album maintains alot of the same tones and general sounds throughout, each song offers something unique. Whether it be a bluesy acoustic introduction, a horn section or even the sort of atmospherics that brought bands like Neurosis up the ranks, Bison will be sure to surprise, and a band that is certain to go on to great things in the coming years.