ACHENAR

Avant-garde Metal • United Kingdom
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ACHENAR is an avant-garde/industrial metal act from Scotland. The one-man act from Duncan Hemingway plays a style of extremely dense, heavy music dominated by polyrhythmic riffs and electronic noise. In 2007, "All Will Change" was released and in 2011 "Super Death Explosion Kittens" was released.

--Bio by J-Man--
Thanks to J-Man for the addition

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ACHENAR All Will Change album cover 3.00 | 1 ratings
All Will Change
Avant-garde Metal 2007

ACHENAR EPs & splits

ACHENAR Super Death Explosion Kittens album cover 1.50 | 1 ratings
Super Death Explosion Kittens
Avant-garde Metal 2011

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ACHENAR Reviews

ACHENAR All Will Change

Album · 2007 · Avant-garde Metal
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siLLy puPPy
ACHENAR is the alter ego of Duncan Hemmingway from Aviemore, Scotland as a strange musical side project from his apparent involvement in the Renoise products such as the the Redux Sampler and Phrase Sequencer. This project began in 2003 and has so far only produced two releases, this debut album ALL WILL CHANGE and a following EP in 2011 titled “Super Death Explosion Kittens.”

This is one of those one-man projects where Hemmingway can let his freak flag fly high in the kingdom of his own making with no band mates to bitch and whine about how weird things get and weird this is indeed. While avant-garde metal can lean towards a certain established subgenre such as black or death, ALCHENAR escapes any true definitions and is the epitome of experimental avant-garde music in every sense of the term.

While lumped into the world of metal simply because of the harsh cacophonous din that can erupt periodically throughout ALL WILL CHANGE, this album and project is not dedicated to any particular style of music as there are moments of beautifully melodic classical piano runs with a gloomy atmosphere as well as jittery techno-infused electronica outbursts that sounds like a bleak industrial version of rave music. There are also moments of Kayo Dot inspired atonal microtonal abstractness which takes you to a completely parallel universe of musical rules that are caustic and alienating.

The purpose of this album seems to remain outside the known musical universe and allow moments of harsh din contrast with slower contemplative moments of single instrumentation delivering a spooky minor key melodic hook that is guaranteed to haunt your dreams for weeks to come. There are also moments of pure noise where Hemmingway seems to be more interested in testing his new products for his company than creating captivating music but overall the musical flow remains consistently dark and forbidding existing somewhere between dark ambient and modern classical in the realms of microtonal indeterminacy. Sound effects are thrown in for good measure.

This is one of those albums that leaves me divided. On the one hand it is truly original sounding and captures bleak soundscapes that very few have succeeded in crafting. The 12 tracks which delivered here are described by the artist as the meeting of the harsh and the beautiful that utilizes sounds from conventual instruments to painstakingly crafted electronics which are used to capture natural sounds combined with a diverse array of creepy vocal styles. On the originality scale this is off the charts but in the end it feels a bit too random, too indeterminate and too unfocused to truly latch onto anything. This is a really good album for a total escape from reality and will be perfect for such moods but not enough thought went into the overall structure and therefore doesn’t really beckon frequent visits.

ACHENAR Super Death Explosion Kittens

EP · 2011 · Avant-garde Metal
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J-Man
As crazy as this may sound, the title Super Death Explosion Kittens is a fairly accurate description of this EP from Achenar. What essentially sounds like the soundtrack to an 8-bit video game cartridge is then given tons of avant-garde madness, making for a chaotic and noisy listen. Although a release like this may have some appeal to fans of wacky avant-garde/industrial metal, it seems far too unfocused to warrant more attention from me.

The music played on this EP is dominated by complex drum machine patterns, heavily distorted synth tones (I think that's what it is), and an occasional vocal section. Though I have an infinite respect for Duncan Hemingway's unique attitude on Super Death Explosion Kittens, the music simply comes across as too random and sporadic to satisfy this reviewer. This extremely energetic and frenzied EP may make for one or two mildly-fun listens, but the compositions are too shallow to warrant much more attention than that. This one is easily avoidable for most listeners, but it may be worth a look from 8-bit video game fanatics who are looking for some crazy music to keep them entertained. For that (albeit small) audience alone, Super Death Explosion Kittens is worthy of 1.5 stars. More focused compositions would've done this EP wonders.

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