UMUR "Yeah!" is the debut full-length studio album by Finnish death metal/grindcore act Xysma. The album was released through ComeBack Records in 1991. It follows the release of the April 1989 "Swarming of the Maggots" demo, and the two 1990 EPs "Above the Mind of Morbidity" and "Fata Morgana". Around the time of writing the material for "Yeah!", the members of Xysma started feeling death metal/grindcore fatique, and they discovered the stoner doom/heavy metal of Black Sabbath, and it had great impact on the musical direction of "Yeah!".

In fact the new stoner doom/heavy metal element makes "Yeah!" one of the most unique extreme metal albums of its time, because Xysma combines the heavy grooves and stoner doom riffs with filthy death-doom metal parts which smell a bit like Autopsy and with deathgrinding blasting which is not far from contemporary Carcass (there are quite a few harmony guitar parts on the album too pointing in the direction of 70s hard rock artists like Wishbone Ash and Thin Lizzy). At times there are sections which could arguably be labelled death´n´roll (before such a term was coined) and add to that a psychedelic edge and you have a very eclectic release on you hands. This really isn´t supposed to work...but it does. The vague existentialistic lyrical themes are quite unusual for a 1991 death metal release too.

It´s interesting to note that "Yeah!" was recorded at Sunlight Studio (Stockholm, Sweden) during the autumn of 1990 with engineer Tomas Skogsberg. What´s interesting is that the album does not feature a sound production which sounds like any of the Swedish death metal releases recorded at the studio around the same time. Xysma went their own ways musically but also when it came to production techniques and the tone of their instruments.

"Yeah!" is bound to be a release dividing the waters, because of the odd melting pot musical style, but personally I find it one of the most unique extreme metal releases from the early part of the 90s, and to my ears the combination of musical styles and elements work wonders. A 4 - 4.5 star (85%) rating is deserved.

siLLy puPPy XYSMA was a short-lived band that formed in 1988 near the Finnish city of Turku and has been cited as one of the earliest example of the much loathed term “death’n’roll.” The band’s name has the charming meaning of “material resembling bits of membrane in stools of diarrhea.” Now yeah! That’s fucking metal! I think :o

Despite living in Finland, the band had close ties to the Stockholm scene and were buddies with the legendary Entombed with whom they cross-pollinated ideas, thus going down similar paths by linking rock’n’roll meets Sabbath type compositions with the old school death metal scene. At this point XYSMA had a mix of grindcore as well as early traces of the death’n’roll that would be more prominent on their second album “First & Magical.”

Their debut album YEAH! lies somewhere in between Sabbath, death doom, grindcore and old fashioned death metal with lots of changes between tracks and even within individual tracks. At this point the band was a quintet. Janitor Mustasch as vocalist dished out the typical guttural growls of the old school death metal scene however a few clean vocal utterances occur. The demos showed clear influences from bands like grindcore era Carcass and Napalm Death.

XYSMA had an interesting sound and its easy to see where they were going and create a rather unique mix of styles. The tracks are short with only one hitting over four minutes. The riffs are fast and furious and fit into the old school death days. The drums are the weakest link with a lazy sludge type of drumming pattern without much variation however it’s the compositions that take on aspects of old fashioned rock’n’roll in the song styles.

It’s apparent the band was on to something with YEAH! However, somehow it misses the mark feeling like a rather mediocre batch of tracks that never simmer down into the proper nourishing broth. Death metal riffs alternate with Sabbath laced guitar runs and occasional grindcore bursts of freneticism all seem randomly strewn together without much thought as how to tie them together. There’s even an acoustic opening on “Uranus Falls!” Stool sample time maybe? LOL,

While sometimes verging on brutal, YEAH! mostly floats by in the mid-tempo range with grungy guitar riffs and a rather weak percussive drive. The bass is also almost buried in the mix and the vocals do become a bit monotonous. Unfortunately XYSMA had all the elements to craft a killer metal album but hadn’t quite mastered the maturity to place all those pieces into the right places. Hardly a bad listening experience, YEAH! does deliver a nice slice of old school adolescent rawness however it sort of misses the mark in comparison to other established acts of the era.