UMUR "Polars" is the debut full-length studio album by Dutch progressive/technical metal act Textures. The album was released through Listenable Records in 2003.

The music on "Polars" features elements from both the melodic Swedish Göthenburg death/thrash metal style (especially Soilwork comes to mind) and the more technical/experimental hybrid extreme metal style played by acts like Meshuggah, Gojira and Strapping Young Lad. The music features both melodic death/thrash metal riffing and more technical chugging riffs. In addition to those styles there are also a few jazzy Holdsworthian solo parts on the album (Similar to those played by Meshuggah). The vocals are both aggressive, sneering and screaming but you´ll find the occasional clean vocal section too. There are a few weak moments with the clean vocal sections but they are generally enjoyable. The extreme vocals are powerful and intense.

There are some really intense and aggressive songs on the album like the powerful opener "Swan Dive" (I love the blast beat section which reminds me a bit of good old Defleshed) and the even more aggressive "The Barrier". Both "Ostensibly Impregnable" and "Young Man" are also very enjoyable tracks which vary between heavy thrashy riffing and more melodic parts. "Transgression" is also in that style but has a mellow section in the middle with some sax. "Effluent" is an ambient song and it works like an intro to the centerpiece and highlight of the album which is the 18:25 minute long title track. It´s quite the intriguing and powerful song. The song features all the elements that make "Polars" such a great album. Beautiful melodic and atmospheric parts, thrashy riffing and great vocal work. The album ends with the almost 15 minutes long ambient "Heave". Not exactly the most interesting way to end the album, but as long as it closes the album I can skip it when I´m not in the mood.

The musicianship is excellent. Sharp and edgy playing from all involved. I´m especially fond of the drumming style of Stef Broks. He is an exceptionally skilled drummer to my ears.

The production is strong and suits the music perfectly. Very metallic sounding and raw. Don´t expect organic sounds here.

"Polars" is overall a very strong debut release and while there are a couple of compositional elements on the album that are a bit imature, "Polars" is a professional sounding release that is recommended to fans of Meshuggah, Gojira and Strapping Young Lad. A 3.5 - 4 star (75%) rating is deserved.

Conor Fynes 'Polars' - Textures (7/10)

For all too many underground metal bands, the debut album is often raw, unfocused, and in only the most optimal cases, promising enough to be sufficiently excited for the next album. While this is not the case for all bands clearly, this is a trend I have noticed, and was the presumption I had going into listening to the debut of the Netherlands progressive metal act Textures. A band that is now possibly the most innovative and adventurous act in the budding 'djent' metal scene, Textures' debut 'Polars' did not initially meet high expectations from me, but I found myself pleasantly amazed by the work this young band has done here. Although there are certainly still faults here and plenty of room left to grow, Textures provides a relevant listening experience from square one onwards.

Although Textures can be often best described as a crossroads between the styles of Meshuggah, Devin Townsend, and Gojira, the sound here is quite a bit more based in thrash metal that later albums. Although there is still the rhythmic sensibilities of Meshuggah at work here, there's generally a much higher sense of speed and aggression here, that seems to have been somewhat lost in the later work by Textures. As it is however, the band divides their effort and sound between some lighter sections in the music. Many of the more metal installments of 'Polars' can feel a bit shallow on subtlety, but they are almost always followed and countered by a more melodic, progressive section. In that sense, the album's title 'Polars' does seem to hold some real weight when describing the music.

Although not nearly as polished as its successor 'Drawing Circles', the independently produced recording of Textures' debut is quite well done, especially in terms of capturing the band's chugging aggression. Especially when it comes to the rhythm section of the band, the musicians really do the compositions justice. The songwriting of the band is also well done, although a little shaky in parts. The first six tracks on the album do feel a little short, especially when compared to the last two gigantic tracks. The highlight here is the title track 'Polars'; an eighteen and a half minute monster of a track that towers above the rest, both in terms of its musicality and scope. A perfect closer, but it is followed by a long ambient soundscape called 'Heave', which will clearly be a point of derision for many listeners. The last track contrasts the heavy, thrashing riffage of the album by providing some otherworldly soothing hums and meditation. It does feel as if it goes on quite a bit too long in the context of the album, but it does also feel mostly like a sort of exit music; an afterthought past the de facto closer; the title track. In any case, quite well done and unexpected in the context of a metal album.

A great album, although Textures would still have a few steps to take before reaching the excellence of their next two albums.

kluseba Textures is a quite strange band from the Netherlands that mixes melodic death metal in the key of the Goteborg school with bands such as Dark Tranquillity with quite modern thrash metal parts reminding me of Bullet For My Valentine with calm progressive and ambient elements and a few technical parts that recall bands such as Meshuggah. This strange mix sounds very weird at first try and the vocals don't really help and sound like a mixture of In Flames, Bullet For My Valentine and Rise Against. They are quite variable but maybe too diversified and not unique enough.

The good thing about this record is that it is quite unpredictable and surprising and has many chilling interludes and atmospheric changes of style as in "Young Man" or the interlude "Effluent". The band is able to put a high amount of creative ideas in a short amount of time, for example inside the strong opener "Swandive". The band gets to the point and still varies a lot within the running time of five minutes of this song.

It's because of these talents and abilities that I don't get why the band put two overlong tracks in the end of their record. "Polars" is still a great song but it could have been shortened a lot and I would have preferred to listen to three different tracks instead of one good song that goes slightly nowhere and has no truly epic character whatsoever.

The strangest thing is though the final "Heave". It's a purely instrumental ambient track without much variation that sounds like a mixture of krautrock meets space ambient music. Take "Phallus Dei" from Amon Düül II minus the strange vocal noises and add Senmuth's "3923 Seconds On Mars" instead and you get an idea what this song is about. This sounds weird and it is indeed. It's not a bad experiment but it doesn't fit at all with the rest of the album and literally feels quite alien on here. This is what I call experimental at all costs and this also explains the variations in the reviews for this somewhat confusing debut album.

These guys clearly have a lot of talent and many diversified and still coherent songs. But they should focus on their strengths, improve the vocals and dose their experiments in a more logical way. Nevertheless, this album somewhat intrigued me and I'm ready to check their other records out soon. I somehow encourage their courage but they should not go too far. For fans of experimental melodic death metal, this is certainly worth to be checked out and maybe also for open-minded avantgarde and progressive fans. Anybody else should not try this out as this is a very particular effort with some odd elements and many strong points on the other side.