Vim Fuego On first sight, you might wonder “What the fuck is Atrocity doing on a split with Regurgitate?” After all, Regurgitate are Swedish underground legends of the grindcore scene, known for their sick-as-fuck humorous lyrics, gargled vocals, and monstrous sound, while Atrocity are German death metal chameleons, changing genres like other bands change underwear, covering grind, death, thrash, electronic, Gothic, industrial and groove metal. It has been a very long time since Atrocity have been anywhere near heavy enough, or underground enough, to share a split with the likes of Regurgitate without seeming as out of place as a cowpat on a football field.

On closer examination though, it turns out this isn’t the same Atrocity. This is Atrocity from Torrington, Connecticut, in the United States, formed in 1985, three years before the Germans. And this Atrocity played old school grindcore/death metal as pioneered by the likes of Repulsion and Napalm Death. This Atrocity also broke up in 2010, with this split their swansong. So how is it?

Short and anything but sweet, this little sub-six minute split seven incher starts with three tracks of Regurgitate’s usual blood gargling musical sickness. “Necrosadistic Cunts” and “Bloodbath Eruption” both clock in at under a minute and a half, grinding away like bloodthirsty threshing machines, exercises in controlled chaos and music heavy enough to have a physical presence. “Anatomised” is a three second micro-song tacked on the end.

Atrocity cover prolific country artist Will Oldham, also known as Bonnie “Prince” Billy, taking on the cheerless “I See A Darkness”, a song about the depths of depression, and also covered by Johnny Cash. Fear not though, for this song is country in origin only. This old school grind/death rendition is a marvel. Sped up, the song is over in half the time of the gloomy original. The barked vocals are reminiscent of Carnivore-era Pete Steele, or perhaps Repulsion’s Scott Carlson. There is an added, slightly discordant guitar solo, fuzzy bass and a pounding jackhammer rhythm, all of which contributes to turning the suicidal to the psychotic.

It is not often Regurgitate will ever share a record with any other artist and not produce the highlight of the recording, but it has happened this time. Regurgitate is Regurgitate, and under any other circumstance that would be enough to win the day. However, Atrocity’s farewell reinterpretation of a modern country song is simply death/grind at its absolute powerful pinnacle.