siLLy puPPy Tech metal is one of those nebulous areas of music that i still find very difficult to figure out why some bands totally work for me and others don’t despite all the tech chops being checked off like clockwork. While bands like Deathspell Omega and Gorguts have soared to the top of the charts for their innovative and creative avant-garde take on established sub-genera of the metal universe, others sorta fall between the cracks. PYRRHON is one such band that despite cranking out all the expected techy aspects in abundance, sorta fail to inspire beyond a certain level and that is no more apparent than on their debut EP release FEVER KINGDOMS which came out in 2010.

The band was founded all the way back in 2008 when guitarist Dylan DiLeila and bassist Mike Sheen met by happenstance on a subway platform and then found drummer Alex Cohen to join the crew. Along the way they found Doug Moore to join in as vocalist. While PYRRHON has in recent years upped their game and joined the ranks of the more known ranks of the tech death metal universe alongside other surreal noisemakers such as Portal, Ulcerate or Mithras, on FEVER KINGDOMS they take a rather generic sounding approach with a sound that somehow finds itself somewhere between death metal with the gutteral growls and frenetic angular riffs but with more of a mathcore in yer face grind that churns on relentlessly in full extreme metal fashion.

While these elements are not that bad within themselves, this EP unfortunately lacks any sort of variety or attention grabbing ideas. And along with that, i find the drumming style of Alex Cohen a little lackluster for the type of tech death they are trying to capture. Another band that is similar is Gigan who master the surreal and detached psychedelic metal sound that they strive to create. In their case the musicians are bombastic and unapologetically ferocious and have the chops to pull it off as well as an imagination that allows a flexibility that is needed for the cosmic metal ride. FEVER KINGDOMS seems to just plod along predictably with each of the five tracks sounding alike with the same riffs recycled.

What it boils down to with PYRRHON’s debut is that something is woefully missing to give this sonic noise parade some sort of spirit. It plods along checking off all the boxes of extreme tech metal but doesn’t deliver in anything that is very satisfying. In the tech death universe where sonic maelstroms can easily resemble any other, the differences are very subtle and the tight wire act between something outstandingly original and woefully cliche and lackluster can be a very small margin of differences and in the case of PYRRHON’s FEVER KINGDOMS falls short of the interesting mark and leaves me quite unsatisfied especially after experiencing their more mature albums first.