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3.86 | 3 ratings | 1 review
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Album · 2013


1. Terminal (03:27)
2. Deny the Absolute (05:35)
3. The Tundra (05:13)
4. Immutable Dusk (07:01)
5. Threnody (08:08)
6. The Cliff (04:07)
7. Vestiges (07:15)
8. Perpetual Dawn (09:29)

Total Time 50:16

Japan 2CD edition - CD2:

1. Bardo (03:38)
2. Deny The Absolute (7" version) (05:35)
3. The Truce (7" version) (03:16)

Total Time 12:29


- Trevor de Brauw / guitar
- Dallas Thomas / guitar
- Bryan Herweg / bass
- Larry Herweg / drums

Guest musicians:
- Chris Common / additional drums (track 3), mellotron (track 5), piano (track 8)
- Bruce Lamont / saxophone (track 1)

About this release

CD and 12" 45 RPM vinyl 2LP released 15th October 2013 on Southern Lord Recordings (LORD 182), limited to:

- 500 copies on halloween orange and baby blue coloured vinyl
- 500 copies on white vinyl
- undisclosed amount on black vinyl

2CD released 9th October 2013 in Japan on Daymare Recordings (DYMC-206).

Thanks to The Angry Scotsman for the addition and Lynx33, Bosh66 for the updates


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Specialists/collaborators reviews

The Angry Scotsman
After a four year gap, with a small, solid yet unspectacular EP thrown in there, Pelican is finally back...sans original member Laurent Schroeder-Lebec. The split seems to have been amiable, with new guitarist Dallas Thomas being described by the band as "meticulous" compared to their more "freewheeling" style, resulting in a good balance.

So what does this all mean for the album? Right off the bat, it's a darker feel than usual Pelican, which took some getting used to as I always appreciated their more upbeat, even warm feeling.

It is a very solid output, which underwhelmed me a bit at first, but grew after a few listens. It lacks Pelican's old style of lengthy, meandering epics but also lacks their newer style of more concise, powerful songwriting. This isn't entirely new, I found the balance of progression and power just right on "City of Echoes" and fell a bit off with "What We All Come to Need". This is not to say it's a bad album, not at all, just not the strongest effort put out by the band.

It still has all the Pelican staples, such as great riffing and melodies, guitar interplay and at times displays greater energy than I've ever heard from them. Especially in the drumming of Larry Herweg. Usually known for his metronome style, he displays his greatest diversity yet, and really hammers away with some major power.

At times it feels a bit lost, but after a few listens it all works together. The balance mentioned by the band really comes into play as passages vary from super drifty to tightly composed.

"Deny the Absolute" starts the album off in grand fasion, filled with energy out of the gate and is perfectly composed, moving steadily from start to finish, never hanging around to long but not moving forward to quickly. Packed with great riffs, melodies, guitar interplay and power. In my opinion the best song off the album.

Other standouts include "Immutable Dusk" with it's lighter section, "Threnody" another superbly written song that does it all, "Vestiges" has one of the best passages in the whole album, and “Perpetual Dawn” moves between loud and powerful, and soft and moving.

Overall, a very good album that does nothing wrong, punctuated with some standouts. While it may not “wow” especially at first, this is a fine album that any fan of Pelican should enjoy, as well as those into post rock/metal. Here's to more great music with the new lineup.

Four Stars

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  • Lynx33

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