A world of pain and loss, but triumph will somehow take shape.
Moonsorrow's final, great album so far is 'V: Havitetty', the most ambitious, mature, and complex albums by the band, and that is to say a lot, being followed by a masterpiece of intricacy such as the epic 'Verisakeet': But the band push their boundaries even further, and create something that a listener would never forget.
This is an album of details. Details are the elements that build 'Havitetty'; it's like creating a castle not with immense milestones but with small pieces of rocks that together nevertheless make an incredibly solid effort. And it is a castle that is quite hard to destroy. It's a solid, almost hour long album, where ambition is the first word that comes to mind. More synthesizers, even more Folk elements incorporated; there is in the slower, quieter moments, even some Prog Rock sparks. But Black Metal is still the core of Moonsorrow's music: it's not a cerebral, polished BM like it was in 'Verisakeet', but it is a raw, abrasive one reminiscent of an earlier period for the band.
The element that attracted much more ambitious metalheads to this release (and perhaps distanced the ones who like their metal played safe) is the fact that this is a two song affair, both of them reaching nearly the half-hour length. The first one, 'Jaasta Syntynyt/ Varjojen Virta', more melancholic, sad, hopeless, but of an amazing beauty especially in the first seven minutes or so, where atmospheres a-la-Pink Floyd take place, before exploding into a bunch of different, unique, and carefully arranged Black Metal riffs (with shrieked vocals) that take turns in hopping up in front of the listener. With lyrics concerning the death of our world, due to stupidity of man ( immense frustration is felt in the poetry of lyricist), and the preparation to a war that will give nothing but further loss to us. But if the first track is resigned and helpless, 'Tuleen Ajettu Ma' is the revenge, the anger, the hope. Starting almost right off with heavy riffs, it has in the core of the song slower passages. The feeling here is more triumphant, more epic almost. The hooks thus are even more memorable, and often even hauntingly gorgeous, like in the last, final minutes of music. Both of the tracks wonderfully complement one another, and together create an album that couldn't have possibly felt more rounded and complete.
It won't be an easy listen for many people because of it's highly ambitious nature, in terms of structure but also of the music itself. Although not as seminal as previous Moonsorrow works, 'V: Havitetty' is an album that will always be regarded as one of the finest, most interesting and successful achievements of Folk Metal