GREAT WHITE — Great White

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GREAT WHITE - Great White cover
3.57 | 6 ratings | 1 review
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Album · 1984

Filed under Glam Metal
By GREAT WHITE

Tracklist

1. Out Of The Night (3:00)
2. Stick It (3:58)
3. Substitute (4:23)
4. Bad Boys (4:20)
5. On Your Knees (3:51)
6. Streetkiller (3:58)
7. No Better Than Hell (4:06)
8. Hold On (4:12)
9. Nightmares (3:17)
10. Dead End (3:34)

Total Time 38:43

Line-up/Musicians

- Jack Russell / lead and backing vocals
- Mark Kendall / guitar, backing vocals
- Lorne Black / bass
- Gary Holland / drums, backing vocals

About this release

March 21, 1984
EMI

Rereleased under the title Stick It in 1999 with the following bonus tracks:

11. Down At The Doctor (Dr. Feelgood cover) (3:40)
12. Train To Nowhere (Savoy Brown cover) (4:27)
13. The Hunter (Albert King cover) (4:12)
14. Red House (Jimi Hendrix cover) (8:46)
15. Rock 'N' Roll (Led Zeppelin cover) (3:44)

Thanks to Lynx33, Unitron, aglasshouse for the updates

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Specialists/collaborators reviews

aglasshouse
If it weren't for the fact that Great White emerged from the United States, I would certainly confuse this release to be a part of the New Wave of British Heavy Metal movement of the early-1980's. This is because it's clear from their first record that Great White not only synthesized sounds from contemporary glam acts like Mötley Crüe and Quiet Riot, but also from emerging European groups such as Accept and Iron Maiden. This could be because the history of glam metal and the NWoBHM are very similar and happened at similar times, though on different continents.

But what differs Great White's 1984 breakout from albums like Killers or Breaker is the more pronounced hair metal nature of the record; from Jack Russel's catchy vocal hooks to punkish melodies, Great White channels the fabulosity of glam enough to differentiate them from their "darker"-in-tone European cousins. This also goes for lyrical value which, while not seemingly as brash and promiscuous as something Crüe might come out with, is still beautifully cheesy like on songs like 'Bad Boys'.

When it comes time to get heavy though, Great White certainly deliver. 'Substitute''s rollicking drum interlude interspersed with a chugging dissonant riff, the slowly rumbling and oddly dark 'Streetkiller"- these are just a few examples of how Great White uses the glam tradition of being able to please a stadium to bring an enjoyable (and often surprisingly intimidating) performance throughout. Though I will confess that Great White are prone to breaking the great atmosphere they create with awkward segues into uninspired cheesecake sections of pretty-boy rock, admittedly similar to what most glam-style bands do, which are presented seemingly as more of obligations than for sake of actual substance.

Great White's debut is much like a sore thumb compared to the rest of their discography. It's much more heavy, pugnacious, and raunchy than the more commercial style that they would go on to adapt. It remains a rather obscure and underappreciated piece of the sprawling puzzle that is 80's metal.

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  • michelandrade
  • Unitron
  • Kingsnake77
  • Lynx33
  • miguellangell

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