Vim Fuego
MMA Reviewer's Challenge: Album selected by aglasshouse
Floor. Not exactly an inspiring or enlightening name for a band. It seems a bit… beige. The three members of the band obviously thought it was OK, because they doubled down and also called their debut album ‘Floor’.
But Floor? What could you reasonably expect from a band with a name like that? Limp indie rock? Ironic minimalist anti-pop? Generic metalcore?
How about heavy metal thunder falling from the sky?
Like, fucking, WOW!
Yes, “like, fucking, WOW!” is a little lacking in the eloquence department, but just wait ‘til you actually HEAR this! Heavy doesn’t begin to describe it. Floor seems to have tuned down to somewhere about six feet below their feet, dosed their amp valves with steroids, and cranked the volume so far past eleven the knob has twisted off. The term doom metal seems insufficient, inaccurate but still totally fitting. The guitars are so heavy they have an actual physical presence. There must be a limit to what can actually be produced by six strings and amplifiers. The laws of physics say so. But Floor seems to have shifted that limit. The band has a rhythm section, yes, but for the most part they sit in the background keeping time and filling what little gaps are left. The band eschews normal metal vocals, instead going for more of an alternative/indie rock style, and occasionally bury the vocals in the mix, as Fudge Tunnel often used to good effect.
And Fudge Tunnel is a good reference point, although Floor is less abrasive. There are other odd points of reference popping up in the mix too. One moment, it’s something like Jane’s Addiction’s trippier moments, the next, there are vocal melodies and harmonies which wouldn’t sound out of place in Weezer. And then there will be a sludge laden passage straight from the Iron Monkey playbook, followed by an un-stoned Down riff. It is all tied up with pop music sensibilities, with clean, clear vocals, short punchy songs, and lush melodies. And next moment it caves your chest in with a sledgehammer.
Best tracks? Irrelevant really, because this needs to be heard in its entirety, but at a push, first track “Scimitar” stands out because it really sets the album’s tone. “Sneech” is a minute of sludge metal filth. “Kallisti - Song For Eris” is deceptively blissed out but heavy. Closing track “Triangle Song” is pure downtuned doom ferocity, the most metal track on the album.
Do yourself a favour with this album. Don’t listen to it on your iPod or phone. This needs speakers, the biggest, best speakers you can find. It needs decibels, and the organic pulse of several cubic metres of air particles conducting sound waves to your ears. The furniture, walls and floor need to vibrate too. Maybe that’s where the band’s name came from, because you need to feel ‘Floor’ as much as listen to it.