Autotheism
THE FACELESS

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THE FACELESS - Autotheism cover
4.03 | 9 ratings | 2 reviews
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Album · 2012

Filed under Death Metal

Tracklist

1. Autotheist Movement I: Create (3:44)
2. Autotheist Movement II: Emancipate (7:20)
3. Autotheist Movement III: Deconsecrate (6:39)
4. Accelerated Evolution (4:39)
5. The Eidolon Reality (3:46)
6. Ten Billion Years (5:54)
7. Hail Science (0:53)
8. Hymn of Sanity (1:34)
9. In Solitude (6:27)

Total Time 40:56

Line-up/Musicians

- Michael Keene / Guitars, Vocals, Keyboards, Sequencing
- Lyle Cooper / Drums
- Evan Brewer / Bass
- Geoffrey Ficco / Vocals
- Wes Hauch / Guitars

About this release

Sumerian Records, August 14th, 2012

Recorded at Keene Machine Studios.

Thanks to UMUR for the addition

THE FACELESS MP3, Free Download/Stream

No THE FACELESS MP3s available for streaming.

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THE FACELESS AUTOTHEISM reviews

Specialists/collaborators reviews

adg211288
Autotheism is the third full-length studio album by US death metal act The Faceless. The album was released in 2012. The Faceless have left a quite large gap between this and their previous release Planetary Duality (2008), and in that time much of their line-up has changed with only Michael Keene (guitars, keyboards, clean vocals) and Lyle Cooper (drums) performing on both releases.

And while they haven’t moved away from the death metal genre, their style within death metal has shifted in that time as well. Planetary Duality was a technical death metal album that had, like many within the genre, some progressive leanings but nothing so major that what progressiveness the album had went beyond anything more than flavour. Autotheism on the other hand is a progressive death metal release, albeit one that does keep the technical element of its predecessor intact. Ultimately though, Autotheism is a very different sounding death metal album.

The album kicks off with a three part suite of songs called Autotheist Movement. It’s basically one long track and the best showcase the album has to offer on how much more progressive the band has become between releases. Those familiar with Planetary Duality will no doubt note that Michael Keene is performing a lot more clean vocals on the album, sometimes to the point where he can be considered a co-vocalist with new frontman Geoffrey Ficco rather than the occasional secondary vocalist he came across as on the previous album. He’s even the first voice you hear during Autotheist Movement I: Create. You’ll be almost two minutes in before you even hear Geoffrey Ficco’s death growl, which is pretty damn good I must note, perfect for the kind of music that The Faceless play. During Autotheist Movement I: Create though, it’s very clear that Michael Keene is the main vocalist.

Create may be the shortest movement of the suite, but it’s all that’s needed for The Faceless to assert themselves as a progressive band. Things get more death metal like for Autotheist Movement II: Emancipate, with Geoffrey Ficco taking over the lead vocal role, but still very progressive and featuring Michael Keene’s voice in what can only be described as role reversal after the approach taken on Create. Autotheist Movement III: Deconsecrate stirs things up even further with some of the infamous prog circus sounds, and a saxophone. Autotheist Movement is very much top tier progressive death metal in my book.

The trouble with the album as a whole though, is that it does feel that The Faceless put everything they had into Autotheist Movement, so once it ends, it does feel as if the album lost a bit of its steam. Don’t get me wrong, we’re still talking pretty high quality prog/tech death metal, but Autotheism is definitely one case where an album can’t keep up with its own high standard set by the very best it has to offer. The thing is, what follows Autotheist Movement is still high quality material, but after being wowed by that suite the rest is just rather underwhelming, so much that despite this material having its own strengths, my enjoyment of the album as a whole actually suffers a bit.

I think, despite that, I do actually prefer Autotheism to Planetary Duality, at least by a small margin, but at the same time, I can’t help but feel a bit of disappoint in the album because if the whole thing had been on the level of Autotheist Movement, then I’d easily have rated this one in the top tier, not to mention counted it among my favourite death metal releases, but as it is, the highest I can reasonable give it is a high end ‘great album’ tier rating. A part of me wants to push that score up just that little bit more into the ‘exceptional’ grade range, but I can’t ignore that feeling of being underwhelmed that I mentioned, which ultimately decided which side of the grade boundary this one fell. Autotheism is still highly recommendable prog/tech death metal, I’d even go as far to say it’s worth owning for that suite alone, but I’ll be hoping the next The Faceless makes an album it maintains a consistency for top tier death metal which Autotheism certainly showed them capable of.

84/100

(Originally written for Heavy Metal Haven (http://metaltube.freeforums.org))
UMUR
"Autotheism" is the 3rd full-length studio album by technical death metal act The Faceless. The album was released through Sumerian Records in August 2012. It´s been four years since the release of the critically acclaimed "Planetary Duality (2008)". An album that showed a progression from the band´s early more "core" oriented sound to a technical death metal sound with progressive leanings.

...the music on "Autotheism" continues the technical death metal sound of it´s predecessor to a degree, but I´d say the technical part of the band´s sound is now playing second violin to the progressive part of their sound. In other words this is more a progressive death metal release, which is technically well played, than it is a technical death metal release with progressive leanings like the case was with "Planetary Duality (2008)". The change in style between the two albums is actually so radical that at times I´m in doubt if it´s the same band playing. Influences from artists like Devin Townsend and especially Opeth are strong on the album and there are extensive use of clean vocals (in addition to growling vocals) on the album. A feauture that was only occasionally used on the predecessor.

The album features adventurous song structures, tempo-and time signature changes and a generally progressive mindset to creating music. Best examplified in the opening 17:43 minutes long "Autotheist Movement" (check out the carnival music in "Autotheist Movement III: Deconsecrate" or the dynamic semi-jazzy soloing which also occur in the suite), which might be sub-divided into three tracks but functions as one long track. The rest of the material isn´t as progressive in nature, but there is still a focus on creative ideas before technical playing.

We´re talking high level musicianship all around and a powerful sound production that suits the music well, which of course adds further to how professional sounding and enjoyable the album is as a whole.

If I take on the objective glasses "Autotheism" is a damn fine progressive/technical death metal album strongly influenced by Opeth and at times Devin Townsend. A high quality release and recommendable to fans of the style.

On a personal level I´m slightly disappointed that they´ve changed their style so much since "Planetary Duality (2008)" (which I still think is one of the strongest tech death metal albums, released after 2000), that I have a hard time recognising "Autotheism" as a The Faceless release. There was a big difference in sound and style between the debut and "Planetary Duality (2008)" but this time I think they´ve worn their influences a bit too much on their sleeve and in the process have forgotten to focus on who they are as a band and what made them distinct and unique sounding. Musical development is fine, but not necessarily if you sacrifice identity in the process.

Still I´ll go with the objective opinion about "Autotheism", when I rate it, because you can´t take away from the album that it´s extremely well played, well produced and very creatively put together, and I know I would have rated it high, if it was the debut album by a new artist. So a 4 star (80%) rating is still deserved despite my reservations.

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