siLLy puPPy After the tiny little declaration of existence from the 2002 debut EP that only clocked in under five minutes, the Providence, Rhode Island based DAUGHTERS emerged the following year with their official debut album CANADA SONGS which nearly tripled the playing time of just over 11 minutes long but yet despite the short playing time found the band evolving significantly and packing in as much activity as a warehouse of fireworks exploding in the night’s sky.

It didn’t take much time at all for DAUGHTERS to carve out their own niche in the core arenas of the metal underground. While staunchly retaining their grindcore roots, this band of naughty noise makers pummels through ten tracks at breakneck speed incorporating punk infused core elements with technically laced progressive time signatures run amok with a rather avant-garde process of adding the playful interplay of timbres, tones and tempos with brief moments of psychedelia.

Possibly the mathcore version of Between The Buried And Me, right from the opening track “Fur Beach,” DAUGHTERS carpet bombs the listener with a dizzying array of musical elements tucked away in every blistering guitar riff led cadence that include bizarre mercurial stylistic changes within the technically steeped potpourri. The winning team of Alex Marshall (vocals), Jon Syverson (drums), Pat Masterson (bass) and Jeremy Wabiszczewicz (guitar) display an uncanny instrumental tightness as if they are telepathically connected.

While DAUGHTERS were clearly in the noisecore section of the music store, they were much more as they deftly crafted melodic constructs that unfolded within the context of chaos tantamount to taming a seemingly untamable multiple-alarm fire in a munitions factor that explodes in harmonious and orderly ways. Crazy chaotic guitar swirls coalesce into freaky pseudo-melodies kept staple by oscillating rhythmic stability, atypical no wave atonalities nihilistically creep into the nooks and crannies. Surreal sounds effects ebb and flow unpredictably.

For those who are not familiar with the bombastic origins of DAUGHTERS may be shocked to hear how crazy these early recordings are compared to the more chilled and detached feel of the modern fairly metal-free albums like “You Won’t Get What You Want” sound. This debut is a live wire of excess energy that attacks like a lightning bolt from the sky and you, the listener, are the lightning rod to receive the full electrical shock. This is only for the most hardcore extreme metal addicts out there. Listen with caution but don’t be surprised if you actually start liking this!