adg211288 Kyrgyzstan isn't a country exactly well known for its metal bands. A quick online search for example reveals under a dozen ever known to have released anything. Best known of these bands is black metal act Darkestrah, who have been around since 1990 and have released six full-length albums, the latest being this one, Turan (2016). With long-time vocalist Kriegtalith now out of the picture, the band recorded the album with a session vocalist, Merkith, who now seems to have become their permanent replacement.

The music on Turan is atmospheric based pagan black metal. The use of synths and cello gives the album some lightly symphonic touches, though nothing up to the level associated with actual symphonic (black) metal. Some folk influences show themselves every now and then and when they do they err towards what I assume must be the traditional music of Kyrgyzstan, which gives Turan some unique flavours, heard prominently in tracks such as Erlik-Khan. Some of the additional instruments used alongside the traditional metal setup and cello are the mandolin and temir-komuz, the latter of which is a new one on me and I had to look up what it was. Apparently it's a Kyrgyz jaw harp. The band's style isn't always so overt as on Erlik-Khan and other tracks require a focussed listen to make out the fine details that give each track its identity.

Turan is a six track album with a total playing time of 52:24 minutes, with the shortest composition being Gleaming Madness at 6:59 minutes. The longest the album gets up to is its opener One with the Grey Spirit (10:22), however this track's first half basically serves as a really quite drawn out introduction for the release, the kind other bands may have made a separate track on the album, so once the whole band actually get going it doesn't seem to be such a long song after all. To my ears it's a little too long to wait for things to really kick off. It's one of those cases where it makes me want to yell at the band to get on with it.

The long introduction aside, Turan is still a very substantial album from Darkestrah. Solidly written and performed while also offering up some ideas that I've not heard a metal band doing before (this also being my first experience of Darkestrah's music – it won't be the last). The real issue holding the release back is that the music does tend towards a mid-paced tempo which coupled with the long track durations does make some of them, such as the 9:46 Bird of Prey, seem a bit elongated and could either do with a few minutes shaved off, with perhaps an extra track or two then substituted to make up the total time, or some additional experimentation with the traditional instruments, because those parts are certainly the most interesting aspects of the album that sets the band apart from the crowd.