The Last Sunset
CONCEPTION

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CONCEPTION - The Last Sunset cover
3.68 | 11 ratings | 3 reviews
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Album · 1991

Filed under Progressive Metal

Tracklist

1. Prevision (1:13)
2. Building a Force (4:34)
3. War of Hate (5:59)
4. Bowed Down With Sorrow (6:30)
5. Fairy's Dance (5:05)
6. Another World (6:28)
7. Elegy (1:55)
8. The Last Sunset (4:39)
9. Live to Survive (5:48)
10. Among the Gods (10:38)

Total Time: 52:52

Line-up/Musicians

- Roy Khan / vocals
- Tore Otsby / guitar
- Ingar Amlien / bass
- Arve Heimdal / drums

About this release

Produced by Conception and Nils H. Mæhlum.

Originally released in 1991 on CSF Records (CSFCD 9101) with a photo of the band as the cover. Noise Records ( N 0232 ) re-released it in 1993.

Thanks to m@x, colt, UMUR for the updates

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CONCEPTION THE LAST SUNSET reviews

Specialists/collaborators reviews

arcane-beautiful
I won't lie. I am a bit of a Kamelot fan. How could you not love them. Roy Khan is very much one of the sexiest metal singers alive (I'm relying more on the timbre of his voice, rather than actual appearance...as a gay man, he is alright looking). When I first got into the band I was shocked to know that he was not the bands original vocalist and that before he even joined the band he was in a full blooded progressive metal band from Norway called Conception. I was even more joyous to find a copy of their first album in a second hand shop. Win win nostalgic situation.

One of the most interesting parts of the bands sound is the interesting mixture of metal and now and then flamenco guitar moments which spruce up. Mostly the band do have a pretty standard prog metal meets power metal sound. Sound wise the band pretty much have it down, but because this is a first album, you can't expect perfection.

One of the biggest problems with this album would have to be the production. Everything on this album sounds very weak and very quiet. The guitar sound especially. The riffs on this album are pretty cool, but the production just makes it sound very weak. The vocals are mixed very badly too, with Khans voice being rather quiet. It really should be against the law to have as little focus put on Roy Khans voice, cause it is very unique, even if he does sound like a pre pubescent teen on this album (which he probably was at this point).

The opening track “Building A Force” is a pretty great opener with one of the best chorus on the album. Killer riffs and some nice vocals from Khan too.

“War Of Hate” is probably one of the most heavy songs on the album. Having some rather groove metal influenced riffs the band show off their heavier sound. Sadly the production doesn't bode well with the heavy sound of this track.

One of my favorite tracks on the album would have to be “Fairy's Dance.” Having some folk influences, the song's lyrics also tell of a rather comical fantasy inspired tale. Some nice guitar work throughout too.

The title track is probably one of the most interesting moments on the album. Showing off the bands more gentler side, Khans vocals are pretty stellar, with him singing some of the highest notes I've ever heard him sing.

The final track “Among The Gods” is the longest composition on the album. The first half is rather interesting, with a lot of interesting tempo changes throughout. The ending is pretty much an extended instrumental section and I believe it overstays its welcome. Bit too long, but still pretty interesting.

In conclusion, for a debut this album is alright. The passion and material is pretty much there, but you can tell this is very much a band trying to find its feet. The band would go on to do better things, both as Conception and other projects which followed.

6.7/10

Genres: Progressive Metal, Power Metal, Speed Metal, Heavy Metal, Progressive Rock

Country of origin: Norway

Year of release: 1993
Sinkadotentree
CONCEPTION are a Prog-Metal band out of Norway who no longer exist. Their former singer Khan went on to sing with the Power-Metal outfit KAMELOT. There is a Power-Metal vibe here at times but this is as close to straight-up Prog-Metal as you will hear. I must admit the first half doesn't do a lot for me although it is good, but on the second half of the album they really bring it up a level. Still i feel 3.5 stars is the right rating for me. I own 3 albums from this band and they've never come across as being very dynamic, in fact it's almost vanilla flavoured Prog-Metal but somehow for my tastes it works. Definitely a band i'd suggest checking out so you can judge for yourself.
bonnek
Conception’s debut sits closer to power metal or whatever name you wish to give to 90's metal that is dominantly influenced by popular 80's bands such as Halloween, Dio, Ozzy and Priest. Expecting Progressive Metal might lead you in a wrong direction. This is simply competent melodic metal that stands out by the merit of their exceptional vocalist.

I don’t reside too much in this style of music for finding it generally derivative and predictable, often confusing technical skill with progressiveness and an emotional standard that seems to be measured by the height of the singer’s pitch. On the other hand, whatever the genre, there are always a few albums where the magic works. This particular album from Conception can sure be added to that list.

Had I known that Conception featured Kamelot's later singer Roy Khan, I would have checked them out a lot earlier as he is such a talented singer. Similar to Damian Wilson he doesn't need to resort to overstatement; his voice has that inherent intensity and breadth that doesn't need big gestures. It is rather unique, especially in this style of metal occupied by legions of Bruce Dickinson clones.

The fact that this band originates from Norway is probably another element that speaks to me. It is a tad more gloomy then your average prog-metal outing and it has refined vocal melodies all over the place. The focus is on songwriting and not on technicalities. The song material is mostly outstanding and rather diverse, avoiding bombast and empty pathos. A song like Bowed Down With Sorrow, as suggested by its title, comes close to the melodic doom metal of Solitude Aeturnus, other pieces like Live To Survive are a crunchy take on Judas Priest, the 10 minute closer, Among The Gods is the prog moment, adding nice touches of flamenco and Latin music into their metal sound. Not an obvious experiment but with a tasteful result.

This album offers nothing original or outstanding but inspiration and passion ride high throughout. A great discovery for me in a style of music that generally doesn't excite me much.

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  • cennsor
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  • SevDawg
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