Mirror Reaper
BELL WITCH

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BELL WITCH - Mirror Reaper cover
3.99 | 4 ratings | 2 reviews
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Album · 2017

Filed under Funeral Doom Metal

Tracklist

Digital version:

1. Mirror Reaper (83:43)

CD version:

Disc 1:
1. Mirror Reaper (As Above) (48:13)

Disc 2:

1. Mirror Reaper (So Below) (35:30)

Vinyl version:

Disc 1:
1. As
2. Above

Disc 2:
1. So
2. Below

Total Time 83:43

Line-up/Musicians

- Dylan Desmond / Bass, Vocals
- Jesse Shreibman / Drums, Vocals, Organ

Guest/session musicians:

- Erik Moggridge / Vocals
- Adrian Guerra / Vocals

About this release

Format: Digital, CD, Vinyl
Label: Profound Lore Records
Release date: October 20th, 2017

One long song consisting of over 80 minutes of music. Due to constraints, physical versions split the track into two or four parts as needed (see track list).

Thanks to theheavymetalcat for the addition and adg211288 for the updates

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BELL WITCH MIRROR REAPER reviews

Specialists/collaborators reviews

adg211288
US funeral doom metal duo had released just two full-length albums, Longing (2012) and Four Phantoms (2015), when their line-up was split in two following drummer/vocalist Adrian Guerra's departure. Bands change line-up all the time but this change was tragically made all the more profound when a year later, in 2016, Adrian Guerra passed away. Mirror Reaper (2017) is the group's, which now consists of Dylan Desmond (bass, vocals) and new member Jesse Shreibman (drums, vocals), first new recording since then. The monolithic, eighty-three minute long single song album can be seen as a eulogy to their fallen comrade, whose presence is still felt by the insertion of some vocals recorded before his untimely death at the age of just 35, credited under 'the words of the dead'.

Because Mirror Reaper is so long, physical versions of it have to split the song into multiple parts. The CD version has two discs with the track split into two (titled As Above and So Below) while the vinyl is also a double, with the track split into four parts. It's worth pointing out at this point that at least in the case of the CD version the physical pressing does NOT come with a download code so buyers can also obtain the full uninterrupted version of the album. Without confirmation, I'd assume that the vinyl is the same. This, while I won't allow it to affect my rating in this review, is a considerable omission to make in my view, making Mirror Reaper one of the extremely rare cases where the physical version can be deemed inferior to the digital (more so because the digipak packaging is one of the most shoddily made I've ever encountered).

In any form Mirror Reaper is a daunting journey, one that I'm certain most potential listeners will want to think hard about whether they even want to try taking it. Those that do will definitely need to find themselves in the right frame of mind, and set aside enough time to take the whole composition in during a single sitting regardless of whether you're listening to the seamless digital version or the four part vinyl version. A piece like this loses its impact if you decide to take a break of any length and while at least in the case of the CD version the split between the As Above part and the So Below part does make sense, So Below doesn't work near so well as a stand alone track.

Funeral doom metal is known for its plodding pace and atmosphere of misery and that's exactly what is delivered on Mirror Reaper, via some quite extended length non-metal sections, especially during the So Below part of the song. No idea is treated like a flash in the pan thing, but is drawn out for ages. The vocals range from growling to hypnotic chant to subdued singing. Despite the growls, there's no forays into actual death-doom like the works of Evoken or Esoteric, so it's pretty much a dirge from start to finish. In that sense, Mirror Reaper may just be an example of funeral doom metal at its most pure, though since there are no guitars and it's all done on bass the sound is a little difference to the average band. At least it's a pure funeral doom metal sound until one of the non-metal passages hits, then it's something else, yet still very much funeral and very much doom, just without the metal.

Mirror Reaper is not, understandably, an easy album. I expect that many who give it a go will find it to be too much in one way or another. To many, this will be far too long than any one song has a right to be. For others the length in itself won't be an issue but the snail's pace tempo will be. For more still it will be how it actually sounds. Mirror Reaper is certainly a dreary affair, even depressing at times, but that's hardly surprising given the genre and backstory and the death of Adrian Guerra. It's true that the point, musically speaking, could likely be accomplished in a much shorter yet still lengthy composition and that to some ears it may have been better for it. Those people will be entitled to their opinion, while I will remain steadfast in mine that they just don't get it. All things considered it seems highly appropriate that Bell Witch went all out with Mirror Reaper and produced something that will stand tall as a monumental work of what funeral doom metal is all about. This is their tribute to their fallen bandmate and it's certainly not found wanting. Even being so long there's definitely a coherence to the whole composition so that despite all the pitfalls it could fall into it never actually feels aimless.

Mirror Reaper will not go down as an album that will grace my speakers with any kind of regularity, but it's one I'm pleased to have taken the plunge on for when the mood strikes. Bell Witch have crafted a quality, well thought out work here.
renkls
When a group of artists intrinsically tie a personal tragedy to the creation of their art, it becomes an inseparable aspect within it. Such has clearly been imbued in the creation of Bell Witch's massive, emotionally crushing third full length outing, Mirror Reaper. Envisioned as one continuous, 83-minute composition, spanning two disks on CD, 2 double sided LPs or seamlessly in digital format, Bell Witch have created a monumental, sombre eulogy to their ex-drummer and vocalist Adrian Guerra.

Glacial in pace, yet extreme in scope, Bell Witch craft introspective bass lines which ring out with the sense of grief. Traversing the length and breadth of what's on offer, the composition offers peaks and valleys, near silent moments ringing with the subtle, yet unmistakable musings of an organ - to massive soundscapes of crushing emotional weight.

It is hard to overstate the diversity of the primarily two-man drum and bass guitar band, forcing out your feelings with every twist and turn on offer. The subtle insertion of the late Adrian Guerra's vocals impresses even heavier the weight of emotion Mirror Reaper works with. Even in the lengthy minimalist passages late in the composition, the band gracefully and gradually lead us through highly emotive territory, with near perfect segues into organ passages, before driving forward to a cyclic, cathartic close.

Few albums can respectfully represent an emotion with as much legitimate weight and personal circumstance so seamlessly woven in. While its surface length and ponderous nature warns off casual listeners, the passage through grief is not something that comes fast, and as a eulogy to Guerra and a gigantic slab of emotional ritual, you would be hard pressed to find a representation of grief as primal, cathartic and yes, as beautiful as Mirror Reaper.

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