martindavey87 “Meh”.

I bought this CD in a shop in Germany for 50 cents or something equally daft. I’d never heard of Age of Silence (and apparently, neither had anyone else, since they were in the literal bargain bin), but it was a metal CD, so why not?

Labelled as avant-garde metal... whatever the hell that means... this sounds a lot like something Devin Townsend would do, complete with obscure, gloomy cover art and unusual song titles. Age of Silence have a big sound, with multiple-layered guitars overproduced to give each of the three tracks a huge feeling about them. But otherwise, these songs are fairly dull. The overbearing “big” guitar chords are heard through each track, leaving me feel like there’s been an ongoing chord played throughout the entire EP.

But it doesn’t stop there. It starts to overshadow the vocals, any lead parts, the drums... the whole lot. I don’t “get” this kind of music. I understand it’s based more on ambience and what-have-you, but for the most part this is just pretty boring and repetitive. There’s one or two moments where something might sound catchy or interesting, but as a whole, considering this is only a three-song EP, it’s not really anything I’d come back to.

The shop I’d bought it from was probably relieved to be rid of it.

Windhawk Age of Silence is a Norwegian project group, consisting of more or less famous musicians from different black metal bands. "Complications" is an EP released in 2005, to satisfy fans awaiting their second full length album.

Musically the band members background from (modern) black metal isn't very noticeable. Although several details and nuances in the soundscape are recognizable from this genre of music - synths barely heard fleshing out the soundscape, slight nuances when changing tempo, melodic overlays from guitars tuned way down to create a very subtle effect - the music on this record has more similarities with doom metal than with black metal. The guitars are the main instrument here, but played mostly with long, drawn-out chords rather than the fast-paced aggressive riffing you'll find in black metal. The second most noticeable element here are the vocals, actual singing with clean vocals, most often harmonic and at times layered vocals as well. The overall soundscape is dark and gritty though, with the vocals bringing light and beauty into a rather grim and dark - but epic - soundscape.

As for the songs on this release, they are all good - especially if nuances and details are to your liking. The songs are too monotonous and repetitive though; at least for me. The first and last of these three songs have most variation, and due to that are better than the one in the middle for me.

Sleeper Considering the abysmal effort of the band on its one and only album, Acceleration, I wasn't hoping for much from the follow up EP, Complications: Trilogy of Intricacy, and was expecting even less. So you can imagine my surprise on playing this EP and finding 3 songs of fairly high quality, certainly far ahead of where the band had been only a year before hand.

The one real strength of the bands first album, Andy Winters excellent keyboard playing, remains intact for this album but the major areas of my discontent have been addressed. Namely, production is now top notch with a sharp, punchy sound from the drums and feeling of depth to the guitars. Composition is far better than before, with memorable melodies being supplied in full and the singer, Lazare, is more tuneful than before, though he's no Daniel Gildenlow. I knew the band had it in them as they've proved it in Winds but this is the only recording from Age of Silence that demonstrates these abilities. Pick of the (small) bunch here is the opening track, The Idea of Independence and the Reason Why It's Austere (almost as much of a mouthful as a Red Sparows song title), for it contains the above mentioned elements at their best. In the end, though, there is only 15 minutes of music and the uncomfortable resemblance to Winds remains strong.